If we imagine multiple ways of being together, how might that
shift choreographic practices and help us imagine ways groups assemble in more
varied ways than just pairing another man with another woman? How might dancing
queerly ask us to imagine futures through something other than heterosexuality
and reproduction? How does challenging gender binaries always mean thinking
about race, thinking about the postcolonial, about able-ism? What are the
arbitrary rules structuring dance in all its arenas, whether concert and social
or commercial and competition, and how do we see those invisible structures and
work to disrupt them?
Queer Dance: Meanings and Makings brings together artists and scholars in a multi-platformed project-book, accompanying website, and live performance series to ask, "How does dancing queerly progressively challenge us?" The artists and scholars whose writing appears in the book and whose performances and filmed interviews appear online, stage a range of genders and sexualities that challenge and de-stabilize social norms. Engaging with dance making, dance scholarship, queer studies, and other fields, Queer Dance asks how identities, communities, and artmaking and scholarly practices might consider what queer work the body does and can do. There is great power in claiming queerness in the press of bodies touching or in the exceeding of the body best measured in sweat and exhaustion. How does queerness exist in the realm of affect and touch, and what then might we explore about queerness through these pleasurable and complex bodily ways of knowing?