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Video Example 3.2c

While the producer claims that a single camera positioned where on onsite observer might stand will be sufficient to capture the magic of that performance, viewers of Meet the Masters are treated to a much more visually dynamic presentation. Featuring dramatic, high-contrast lighting and mobile cinematography, this 45-second shot from Rubinstein’s performance of Liszt’s “Liebestraum” begins at eye level in medium-closeup, with the camera then panning and tilting down his outstretched arm to end on a high-angle closeup of his fingers on the keyboard.



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