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Music in Ireland

Experiencing Music, Expressing Culture

Dorothea E. Hast and Stanley Scott

Publication Date - 24 June 2004

ISBN: 9780195145557

176 pages
Book with CD/DVD
5-1/2 x 8-1/4 inches

In Stock


Music in Ireland is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.
Music in Ireland provides an engaging and focused introduction to Irish traditional music--types of singing, instrumental music, and dance that reflect the social values and political messages central to Irish identity. This music thrives today not only in Ireland but also in areas throughout North America, Europe, Australia, and Asia.
Vividly evoking Irish sounds, instruments, and dance steps, Music in Ireland provides a springboard for the discussion of cultural and historical issues of identity, community, nationalism, emigration, transmission, and gender. Using the informal instrumental and singing session as a focal point, Dorothea E. Hast and Stanley Scott take readers into contemporary performance environments and explore many facets of the tradition, from the "craic" (good-natured fun) to performance style, repertoire, and instrumentation. Incorporating first-person accounts of performances and interviews with performers and folklorists, the authors emphasize the significant roles that people play in music-making and illuminate national and international musical trends. They also address commercialism, globalization, and cross-cultural collaboration, issues that have become increasingly important as more Irish artists enter the global marketplace through recordings, tours, and large-scale productions like Riverdance.
Packaged with a 70-minute CD containing examples of the music discussed in the book, Music in Ireland features guided listening and hands-on activities that allow readers to gain experience in Irish culture by becoming active participants in the music.

Table of Contents

    Pronunciation Guide
    CD Track List
    1. Invitation to a Session
    What is Traditional Irish Music?
    Basic Themes
    2. Historical Continuities: Music, Dance, and the Making of a Nation
    Colonialism in Ireland
    Edward Bunting and Thomas Moore
    Dancing and Dance Music
    Music, Religion, and Political Struggle
    "The Green Fields of Canada"
    "Edward Connors"
    Home Rule and the Gaelic League
    Constructing an Irish Ireland
    3. Passing on the Tradition
    Learning by Osmosis: Mary MacNamara and Kevin Crawford
    The Willie Clancy Summer School
    4. The Dance Tune Tradition
    Tune Structure
    Tune Collections
    Tune Aesthetics: Variation and Ornamentation
    Tune Names and Tune Types
    Polka and Waltz
    A Tune in Performance: Garrett Barry's Jig
    Uilleann Pipes
    Fiddles and Fiddle Styles
    Tin Whistle
    Plucked Instruments
    The Bodhrán
    Piano, Synthesizers, and Electric Instruments
    Solo versus Ensemble Playing: Sessions, Céilí Bands, and Small Groups
    5. Singers, Sessions, and Songs
    The Góilín Singers' Club and the Folk Revival
    6. The Sean-nós in the New Ireland: Irish Singing Traditions
    The Lyrics of Sean-nós
    The Sound of Sean-nós
    A Singer's Mission
    A Linguistic Meeting-Ground: Irish Traditional Songs in English
    A Floating Repertoire of Tunes and Verses
    Len Graham: "A Compulsive Singer"
    7. Irish Music in the Global Marketplace
    Black 47
    New Directions

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