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Figure 7.5.9

Figure 7.5.9.  (a) Philidor’s “Art of Modulation” (Sinfonia V, Fuga, mm. 36-38) alternates between 7-6 and 4-3 suspensions, utilizing paths a and b in Figure 7.5.8.  (b) The Prelude to Grieg’s Suite “From Holberg’s Time” uses the unusual double suspension represented by path (d).

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