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Exercises and Associated Chapters

Exercises and Associated Chapters: By Exercise (Alphabetical)

  • A Not-So-Still Still Life (Chapters One, Two, and Six)
  • Anatomical Investigations (Chapter Four)
  • Blind and Modified Contour Drawing (Chapters One and Four)
  • Composition Studies and Resulting Drawings (Chapters One, Two, and Four)
  • Composition-Thumbnail Studies (Chapters One and Four)
  • Drapery and Tonal Structure (Chapter One)
  • Drawing Hands and Feet (Chapters One and Four)
  • Exploration of Collage (Chapters Six and Seven)
  • Expressive Rapid Figure Drawing (Chapters Four and Seven)
  • Focal Point Development (Chapters One and Four)
  • Full Value Studies-Non-Figure (Chapter One)
  • General to Specific Value Studies (Chapters One and Four)
  • Gesture Drawing-Figure and Non-Figure (Chapters One and Four)
  • Linear Experimentation and Line Variation (Chapters One and Four)
  • Negative Space Emphasis-Non-Figure (Chapter One)
  • Out of Focus Value Progression with "Whetting the Scythe" (Chapter One)
  • Perspective and Sighting (Chapters One, Two, and Three)
  • Rapid Head Studies (Chapter Four)
  • Sighting in Lieu of Technical Perspective (Chapter One)
  • Simplified Value Structure-Figure (Chapters One and Four)
  • Straight-Line Construction-Figure (Chapters One and Four)
  • Sustained Gesture Drawing-Figure (Chapter Four)
  • Working with Non-Photo Blue Drawing Pencils (Chapters One and Three)

Exercises and Associated Chapters: By Chapter (Alphabetical within Chapter)

Chapter One

  • A Not-So-Still Still Life
  • Blind and Modified Contour Drawing
  • Composition Studies and Resulting Drawings
  • Composition-Thumbnail Studies
  • Drapery and Tonal Structure
  • Drawing Hands and Feet
  • Focal Point Development
  • Full Value Studies-Non-Figure
  • General to Specific Value Studies
  • Gesture Drawing-Figure and Non-Figure
  • Linear Experimentation and Line
  • Negative Space Emphasis-Non-Figure
  • Out of Focus Value Progression with "Whetting the Scythe"
  • Perspective and Sighting
  • Sighting in Lieu of Technical Perspective
  • Simplified Value Structure-Figure
  • Straight-Line Construction-Figure
  • Working with Non-Photo Blue Drawing Pencils

Chapter Two

  • Composition Studies and Resulting Drawings
  • Perspective and Sighting

Chapter Three

  • Perspective and Sighting
  • Working with Non-Photo Blue Drawing Pencils

Chapter Four

  • Anatomical Investigations
  • Blind and Modified Contour Drawing
  • Composition Studies and Resulting Drawings
  • Composition-Thumbnail Studies
  • Drawing Hands and Feet
  • Expressive Rapid Figure Drawing
  • Focal Point Development
  • General to Specific Value Studies
  • Gesture Drawing-Figure and Non-Figure
  • Linear Experimentation and Line
  • Rapid Head Studies
  • Simplified Value Structure-Figure
  • Straight-Line Construction-Figure
  • Sustained Gesture Drawing-Figure

Chapter Five

Chapter Six

  • A Not-So-Still Still Life
  • Exploration of Collage

Chapter Seven

  • Exploration of Collage
  • Expressive Rapid Figure Drawing


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