David Fuller
11 February 2021
ISBN: 9780199679126
304 pages
Paperback
203x135mm
In Stock
Price: £18.99This volume illustrates the meanings the Romantics took from Shakespeare. It studies the critical practices and theories that evolved in England, Germany, and France, as well as the English stage and the relations between performance, criticism, and scholarship.
This volume illustrates the meanings the Romantics took from Shakespeare. It studies the critical practices and theories that evolved in England, Germany, and France, as well as the English stage and the relations between performance, criticism, and scholarship.
David Fuller, Emeritus Professor of English, University of Durham
David Fuller is Emeritus Professor of English at the University of Durham. He edited Tamburlaine the Great for the Clarendon Press complete works of Marlowe (1998), William Blake: Selected Poetry and Prose (Longman Annotated Texts, 2000), and co-edited (with Patricia Waugh) The Arts and Sciences of Criticism (Oxford, 1999), and (with Corinne Saunders and Jane Macnaughton) The Recovery of Beauty (Palgrave, 2015). His edition (with Corinne Saunders) of Pearl, modernized by Victor Watts, was published by Enitharmon (2005). The Life in the Sonnets, with a complete recording of the poems, was published in the series 'Shakespeare Now!' (2011). He trained as a Musicologist and writes on opera and ballet.
"what marks out Fuller's book is the sheer breadth with which he reads 'Romanticism' across Europe ... Even as Fuller's book explores the workings of Romantic criticism in depth, it never loses sight of 'Romanticism' as a historical category, spanning roughly 1770-1850, and that sense of history is illuminating" - TLS
"Concisely written and argued, these 213 pages (excluding Chronology, Notes, Further Reading and Index), are written within the parameters of inventive expression and a most suave undertaking of gentle intellectuality." - David Marx Book Reviews
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