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Cover

Nothing but Noise

Timbre and Musical Meaning at the Edge

Zachary Wallmark

May 2022

ISBN: 9780190495107

240 pages
Hardback
235x156mm

In Stock

Price: £25.99

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Description

Nothing but Noise: Timbre and Musical Meaning at the Edge explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, author Zachary Wallmark advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception

  • First book to present an interdisciplinary theory on the contribution of timbre to musical meaning
  • Synthesizes original empirical results with humanistic interpretation
  • Includes case study essays on free jazz, Japanese shakuhachi music, and heavy metal
  • Incorporates the widest possible range of methodologies, from experimental psychology to continental ethics to reception studies and cultural theory
  • Connects analysis of timbre to the paradigm of embodied cognition

About the Author(s)

Zachary Wallmark, Assistant Professor of Musicology, Univeristy of Oregon

Zachary Wallmark teaches musicology and music cognition at the University of Oregon. His interdisciplinary research on timbre and popular music has been supported by the NEH and the GRAMMY Museum Foundation. He is coeditor (with Robert Fink and Melinda Latour) of The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford, 2018).

Table of Contents

    Introduction
    The Meaning of Timbre
    I. Fundamental
    Chapter 1: Body and Emotion in the Sonic Act
    Chapter 2: Conceptualizing Timbre: From Material to Metaphor
    II. Spectrum
    Chapter 3: The Most Powerful Human Sound Ever Created: Theorizing the Saxophonic Scream in Free Jazz
    Chapter 4: Sound and Embodiment in the Japanese Shakuhachi
    Chapter 5: Vector of Brutality: Madness, Violence, and Contagion in Heavy Metal Reception
    III. Resonance
    Chapter 6: The Aural Face
    Notes
    Bibliography
    Index

Reviews

"In this book Zachary Wallmark confronts head on an aspect of musical practice that is at once elusive and essential: the enduring mystery of timbre. In Wallmark's hands, however, this mystery does not so much endure as become an entry point for exploring the bases of musical expression. Through a splendid blend of empirical research and humanistic inquiry, set out in lucid and approachable prose, he explains how timbre matters as well as why it matters. This is a foundational study that should be read by anyone who has wondered about why music matters, and by everyone who cares about how music shapes our social interactions." - Lawrence Zbikowski, Addie Clark Harding Professor of Music and the Humanities at the University of Chicago

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