We use cookies to enhance your experience on our website. By continuing to use our website, you are agreeing to our use of cookies. You can change your cookie settings at any time. Find out more
Whole site This discipline's products
Whole site This discipline's products
         Back to Top       

Choral Artistry


A Kodály Perspective for Middle School to College-Level Choirs, Volume 1

Micheál Houlahan and Philip Tacka

28 March 2023

ISBN: 9780197550496

480 pages

In Stock

Price: £32.99


Choral Artistry provides a practical and organic approach to teaching middle school to college level choral singing and sight-reading according to the Kodály Concept of Music Education, grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition.

  • Offers a new understanding of the connection between performance, repertoire, music theory, sight-reading, improvisation, and musicological knowledge
  • Uses a Performance to Notation model for teaching music theory in the context of the choral rehearsal
  • Provides choral directors with a curriculum and rehearsal models that place performance, audiation, partwork, music theory, and sight-signing skills at the heart of the choral experience

About the Author(s)

Micheál Houlahan, Professor of Music Theory and Aural Skills and Chair of the Tell School of Music, Millersville University of Pennsylvania, and Philip Tacka, Professor of Music, Millersville University of Pennsylvania

Micheál Houlahan is Professor of Music Theory and Aural Skills and Chair of the Tell School of Music at Millersville University of Pennsylvania. He is also a visiting professor of music at the China Conservatory of Music, Beiijing. Philip Tacka is Professor of Music at Millersville University of Pennsylvania. He is also currently a grant evaluator on the American Fellowship Panel for the American Association of University Women.

Table of Contents

    Introduction .
    Chapter 1. Framing a Choral Curriculum Based on the Kodály Approach
    Chapter 2: Getting Started: What to Teach During the First Few Weeks of a Choral Program
    Chapter 3: Laying the Foundations of Choral Singing Using Folk songs and Folk Song Arrangements
    Chapter 4. Developing Part-work Skills in the Choral Rehearsal for Beginner, Intermediate, and Advanced Choirs
    Chapter 5: Sound Ways to Develop Audiation, Reading, and Music Theory Skills in the Choral Rehearsal
    Chapter 6:Music Theory and Sight Reading Sequence for Level 1 Choirs
    Chapter 7:Music Theory and Sight Reading Sequence for Level 2 Choirs
    Chapter 8 : Music Theory and Sight Reading Sequence for Level 3 Choirs
    Chapter 9: An Organic Approach to Teaching Sight-reading in the Choral Rehearsal
    Chapter 10: How We Learn Impacts How We Teach: Creating an Effective Teaching Strategy for Choral Rehearsals
    Chapter 11: Putting It All Together: Choral Strategies and Rehearsal Plans
    Chapter 12. Evaluation and Assessment in the Choral Rehearsal


"By covering a broad range of topics, from the logistics of running a school choral program to a thoughtfully-sequenced music literacy pedagogy, Choral Artistry and Sightreading are a significant contribution to the literature, and a compelling argument for the broad application of Kodály-inspired philosophy at any level." - Joshua Habermann, Artistic Director, Santa Fe Desert Chorale

"These volumes cover a wide expanse of pedagogical practices for secondary and collegiate-level ensembles progressing from the step-by-step nuts and bolts to complex theoretical concepts. Furthermore, they provide a deeper understanding of processes for developing a solid singing foundation that are accessible for all levels of abilities – from beginners to more advanced ensembles." - Lynn M. Brinckmeyer, Professor of Music, Associate Dean of the College of Fine Arts and Communication, and Director of Choral Music Education, Texas State University

"Too many times I meet people who do not understand what is special in being a choral conductor, why does one need to study it. Their opinion is, that any musician can do it. This wonderful book answers this question. This book teaches you the real craft, what is 'behind the scenes', behind the well-trained and well-practiced gestures. It will take you through the steps in the process with great detail on every level. What we see on the stage, what we hear when a choir sings beautifully is just the icing on the cake. This book will show you the way to achieve it in a holistic, unhurried and honest way." - Esther Hargittai, Guildhall School of Music and Drama, Liszt Academy/Kodály Institute