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Fabian, Timmers & Schubert: Expressiveness in music performance

Chapter 04

  1. Telmányi 1954, b1-8 of Bach’s Chaconne in D minor (BWV 1004)
  2. Gähler 1998, b1-8 of Bach’s Sarabanda in D minor (BWV 1004) – Fig. 1a
  3. Huberman 1942, b1-8 of Bach’s Sarabanda in D minor (BWV 1004) – Fig. 1b
  4. Menuhin 1934, b1-8 of Bach’s Sarabanda in D minor (BWV 1004) – Fig. 1c
  5. Heifetz 1952, b1-8 of Bach’s Sarabanda in D minor (BWV 1004) – Fig. 1d
  6. Grumiaux 1961, b1-8 of Bach’s Sarabanda in D minor (BWV 1004) – Fig. 1e
  7. Luca 1976, b1-8 of Bach’s Sarabanda in D minor (BWV 1004) – Fig. 1f
  8. Huggett 1994, b1-8 of Bach’s Sarabanda in D minor (BWV 1004)
  9. Powell 1910, Träumerei, b17-24 (Fig. 3)
  10. Casals 1915, Träumerei, b17-24 (Fig. 3)
  11. De Lara 1942, Träumerei, b17-24 (Fig. 3)
  12. Burnett 1982, Träumerei, b17-24 (Fig. 3)
  13. Barenboim 1978, Träumerei, b17-24 (Fig. 3)
  14. Jando 1987, Träumerei, b17-24 (Fig. 3)
  15. Kempff 1973, Träumerei, b17-24 (Fig. 3)
  16. Powell 1910, Träumerei, b25-32 (Fig. 2)
  17. Burnett 1982, Träumerei, b25-32 (Fig. 2)
  18. Barenboim, Träumerei, b25-32 1978 (Fig. 2)
  19. Jando 1987, Träumerei, b25-32 (Fig. 2)
  20. Kempff 1973, Träumerei, b25-32 (Fig. 2)
  21. Casals, b4 of Chopin Nocturne Op 9/2 (Fig.4)
  22. Heifetz, b4 of Chopin Nocturne Op 9/2 (Fig.4)
  23. Elman, b4 of Chopin Nocturne Op 9/2 (Fig.4)
  24. Casals, b6 of Chopin Nocturne Op 9/2 (Fig.4)
  25. Heifetz, b6 of Chopin Nocturne Op 9/2 (Fig.4)
  26. Elman, b6 of Chopin Nocturne Op 9/2 (Fig.4)

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