Kate Elswit is Reader in Theatre and Performance at the Royal Central School of Speech and Drama, University of London. She is winner of the Oscar G. Brockett Book Prize for Dance Research, the Gertrude Lippincott Award, the Biennial Sally Banes Publication Prize, and honorable mention for the Callaway Prize, and her work has been funded by sources including a Mellon postdoctoral fellowship at Stanford University and the Lilian Karina Research Grant in Dance and Politics. She also works as a choregrapher, dramaturg, and curator.

Winner of the Oscar G Brockett Book Prize for Dance Research from the Dance Studies Association
Honorable Mention for the Joe A. Callaway Prize for Best Book on Drama or Theater

"Kate Elswit thinks across history, theory, reception and corporeality and in so doing rethinks Weimar dance for the 21st century." --Susan Manning, Professor of English, Theatre, and Performance Studies, Northwestern University

"In Watching Weimar Dance, Kate Elswit takes the traditional 'obstacles' of dance history - the fragmentary archive, ephemeral performances, and unstable objects - and transforms them into its very strengths. Approaching Weimar dance as a series of eventful and relational encounters, in which spectators contributed as much to the generation of meaning as the performers themselves, the book rediscovers modern dance both as a specific medium and as a forum shot through with broader issues of visual and corporeal culture." --Michael Cowan, author of Technology's Pulse: Essays on Rhythm in German Modernism (2011) and Walter Ruttmann and the Cinema of Multiplicity: Avant-Garde-Advertising-Modernity (2014)

"Elswit provides an interdisciplinary framework that reveals new insights about topics of longstanding interest to scholars of Weimar culture, including expressivity and representation, the mechanization of bodies, and the commodification of art...this amply illustrated volume with extensive notes and references is a valuable new resource on modernist performance culture."--H. D. Baer, University of Maryland - College Park

"Groundbreaking... Kate Elswit's writing is lucid, and her scholarship impeccable... she cares passionately for the origins of the traces which she analyses (that is the dance themselves)." --Julian Preece, The Times Literary Supplement

"Watching Weimar Dance is a stellar work of scholarship. Elswit tackles some of the central issues in how dance history is researched and narrated, and her points are all the more convincing because they are supported by meticulous research...Watching Weimar Dance should be a welcome addition to dance studies, German studies, and as a model for interdisciplinary scholarship on the body."--Dance Research Journal

"In Watching Weimar Dance, Elswit has made an important contribution to the way we practice dance historiography."--TDR: The Drama Review