Two Masterpieces of Kūṭiyāṭṭam
Mantrāṅkam and Aṅgulīyāṅkam
Edited by Heike Oberlin and David Shulman
Table of Contents
Foreword, K.K. Gopalakrishan
Introduction, Heike Oberlin and David Shulman
Opening Up
1:Anguliyankam and Mantrankam : Two Wondrous Crest Jewels of Kutiyattam, Sudha Gopalakrishnan
2:Some Remarks on the Ascaryacudamani : Reflections, Reflexivity, and Wonder, Lyne Bansat-Boudon
Mantrankam
3:Mantrankam, an Ancient Integration Project? Its Structure and Composition, Heike Oberlin
4:What is Mantrankam?, David Shulman
5:Pracchana Barhaspatyam : Irony and Illusion, Reality, Reflection, and Play in Mantrankam, Orly Hadani Nave
6:Reflection and Arul: Creating Siva on the Kutiyattam Stage, Hemdat Salay
7:Vasantaka: Personal Considerations from Within the Practice, Indu G.
8:Mantrankam : An Arena for Experimentation, Elena Mucciarelli
9:The Mantrankam Paribhasa from a Historical Linguistics Perspective, Ophira Gamliel
10:Tying the Universe: The Interplay of Veda and Kutiyattam with Special Reference to Mantrankam, Elena Mucciarelli and Heike Oberlin
Anguliyankam
11:Anguliyankam, Ramayana-Veda of the Cakyars, Virginie Johan
12:Anguliyankam : The Natyaveda of Kutiyattam, P.K.M. Bhadra and Rajneesh B.
13:The World of Hanuman: Creating a Fluid Cosmos on a Kerala Kutiyattam Stage, Einat Bar-On Cohen
14:Distinct Conventions in the Staging of Anguliyankam Kuttu, Ammannur Kuttan Chakyar and Aparna Nangiar
Tying Up
15:My Experience of Performing Anguliyankam and Mantrankam, Margi Madhu Chakyar
16:Knowing and Being: Kutiyattam and Its Semantic Universe, Manu V. Devadevan
17:An Actor in Red and White: The Cakyar Community and the Early Manipravalam Corpus, Sivan Goren Arzony
Note on the Contributors
Index