Abigail Brundin, Reader in Early Modern Literature and Culture, Faculty of Modern and Medieval Languages, University of Cambridge, Deborah Howard, Professor Emerita of Architectural History, University of Cambridge, and Mary Laven, Professor of Early Modern History, University of Cambridge

Abigail Brundin specializes in the literature and culture of Renaissance and Early Modern Italy. She has written on many aspects of the period, from female convents to the Grand Tour, and is above all known for her work on the poet Vittoria Colonna, as the translator of the Sonnets for Michelangelo (2005) and author of Vittoria Colonna and the Spiritual Poetics of the Italian Reformation (2008). A Fellow of St Catharine's College, she has taught at the University of Cambridge since 2002 and is currently chair of the Faculty of Modern and Medieval Languages.

Deborah Howard is an architectural historian whose principal research interests revolve around the art and architecture of Venice and the Veneto, seen from an interdisciplinary perspective. Her books include Venice & the East (2000), Sound & Space in Renaissance Venice (2009, with L. Moretti) and Venice Disputed (2013). She is a Professor Emerita at the University of Cambridge, and a Fellow of St John's College. She was elected to the British Academy in 2010.

Mary Laven has published widely on the social and cultural history of religion. She is the author of Virgins of Venice: Enclosed Lives and Broken Vows in the Renaissance Convent (2002) and Mission to China: Matteo Ricci and the Jesuit Encounter with the East (2011). More recently, her attention has turned to material culture and she has been involved in two major exhibition projects at the Fitzwilliam Museum. She is Professor of Early Modern History at the University of Cambridge and a Fellow of Jesus College.

Honorable Mention from the 2020 Society for Renaissance Studies Biennial Book Prize
Winner of the 2019 Roland H. Bainton Prize for History and Theology

"The Sacred Home in Renaissance Italy articulates the thesis of a "domestication" of lay devotion with panache and will surely remain an indispensable guide. It will fall to future scholarship to integrate its insights more fully with the social and institutional contexts that conditioned domestic religion. In the end, the term "Renaissance religion" may be too limited or imprecise to capture the complexities of an era of cultural conflict and political transformation." - Wietse de Boer, Journal of Modern History

"This study is both enlightening and encouraging in its use of familiar and unfamiliar resources, and shows how to draw compelling conclusions from difficult questions." - Jennifer Mara Desilva, Ball State University, Comptes Rendus

"The amount of material in the book is astonishing ... Brundin, Howard and Laven consciously seek to compensate for long-standing blind spots in Italian Renaissance scholarship. They investigate rural as well as urban areas, indigents as well as elites, local artists from foreign backgrounds, men as well as women (especially important in a book about domestic life) ... The grat power of material objects lies in their capacity to encompass multiple uses and meanings, to cross boundaries, to embrace contradictions. The book shines most when it draws these out." - Emily Michelson, Times Higher Education Supplement

"This is an impressive book, the product of a substantial research project conducted by a team of scholars, and it demonstrates the value of collaborative work in fields that do not often undertake it. By combining their and their postdoctoral fellows' research expertise in Italian literature, art history, and history, and linguistic skills in several Italian dialects, they have created a wide-ranging study of domestic devotion in the Venetian terrafirma, the Marche, and Naples." - Celeste McNamara, The Catholic Historical Review