The Oxford Handbook of Sound and Imagination, Volume 2
Edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard
Author Information
Mark Grimshaw-Aagaard is Obel Professor of Music and head of the Music and Sound Knowledge Group (MaSK) at Aalborg University, Denmark. He has published widely across subjects as diverse as sound, biofeedback in computer games, presence, virtuality, the Uncanny Valley, and IT systems and also writes free, open source software for virtual research environments (WIKINDX). Mark is series editor for the Palgrave Macmillan series Studies in Sound, and his books include the anthologies Game Sound Technology & Player Interaction (2011) and The Oxford Handbook of Virtuality (OUP 2014) and, with co-author Tom Garner, a monograph entitled Sonic Virtuality (OUP 2015).
Mads Walther-Hansen is Associate Professor and head of the Music Programme at Aalborg University, Denmark. He writes on music listening, music production, sound technology, and sound analysis, and he has published several articles, chapters, and conference papers on cognition and language in relation to music production which examine the conceptualization of sound and the effect of recording technology on the listening experience.
Martin Knakkergaard is Senior Lecturer in the Music Programme at Aaborg University, Denmark. He is currently the leader of the Obel Music Project and was former head of the Music Programme at Aalborg University for more than 12 years. His research interests are primarily within the field of Music Technology. Martin has in recent years turned towards the study of musicological questions of a more fundamental nature. He is also the editor of the Danish Dictionary of Music, Gads Musikleksikon (2003 and 2005) and editor of the music periodical Col Legno (1993-1999), and the music journal Danish Musicology Online (2010-2015).
Contributors:
Erkin Asutay, Postdoctoral Researcher, Department of Behavioral Sciences and Learning, Linköping University
Freya Bailes, Academic Fellow, University of Leeds
Søren Bech, Director Research, Bang & Olufsen a/s and Professor, Aalborg University
Lars Ole Bonde, Professor in Music Therapy, Aalborg University; Professor in Music and Health, Center for Research in Music and Health, The Norwegian Academy of Music
John M. Carvalho, Professor of Philosophy, Villanova University
Justin Christensen, Postdoctoral Researcher, University of Saskatchewan
Anne Danielsen, Professor, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo
Jason R. D'Aoust, Visiting Assistant Professor of Comparative Literature and Musical Studies, Oberlin College and Conservatory
Marc Duby, Research Professor in Musicology, University of South Africa
Hauke Egermann, Assistant Professor, York Music Psychology Group, University of York
Simon Emmerson, Professor of Music, Technology and Innovation, Leicester Media School, De Montfort University
Jon Francombe, Senior Research and Development Engineer, BBC Research and Development
Rolf Inge Godøy, Professor, Department of Musicology and the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo
Theodore Gracyk, Professor of Philosophy, Minnesota State University Moorhead
Andrea R. Halpern, Professor of Psychology, Bucknell University
Andy Hamilton, Professor of Philosophy, Durham University
Bennett Hogg, Senior Lecturer, International Centre for Music Studies, Newcastle University
Martin Knakkergaard, Senior Lecturer, Aalborg University
David Meredith, Associate Professor, Aalborg University
Adam Ockelford, Professor of Music and Director of the Applied Music Research Centre, University of Roehampton
Katie Overy, Senior Lecturer in Music, University of Edinburgh
Bryan J. Parkhurst, Assistant Professor of Music Theory and Philosophy, Oberlin College and Conservatory
Daniël Ploeger, Research Fellow, Royal Central School of Speech and Drama, University of London
Janna K. Saslaw, Professor of Music Theory, Loyola University New Orleans
Jan Schacher, Research Associate, Institute for Computer Music and Sound Technology, Zurich University of the Arts
Ulrik Schmidt, Associate Professor, Roskilde University
Henrik Sinding-Larsen, Researcher, Department of Social Anthropology, University of Oslo
Erik Steinskog, Associate Professor, University of Copenhagen
Mickey Vallee, Tier II Canada Research Chair in Community, Identity and Digital Media, Athabasca University
Salomé Voegelin, Reader in Sound Arts, London College of Communication, University of the Arts London
Daniel Västfjäll, Professor, Department of Behavioral Sciences and Learning, Linköping University
James P. Walsh, Adjunct Instructor of Music, Loyola University New Orleans
Jonathan Weinel, Visiting Research Fellow, Aalborg University
W. Luke Windsor, Professor of Music Psychology, School of Music, University of Leeds
Clemens Wöllner, Professor of Systematic Musicology, Universität Hamburg