Nobuko Anan teaches theatre and performance studies in the Department of Foreign Language Studies at Kansai University in Japan. Her publications include a monograph, Contemporary Japanese Women's Theatre and Visual Arts: Performing Girls' Aesthetics (2016 Palgrave) and other articles in journals such as TDR, Theatre Research International, and The Journal of Popular Culture.
Vicky Angelaki is Professor in English Literature at Mid Sweden University, where her teaching focuses on Anglophone cultures, literature and drama, with an emphasis on social concerns, internationalism and ecocriticism. She was previously based in the United Kingdom for a number of years. Major publications include the monographs Theatre & Environment (2019); Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017); The Plays of Martin Crimp: Making Theatre Strange (2012) and the edited collection Contemporary British Theatre: Breaking New Ground (2013; 2016). She is co-editing The Cambridge Companion to British Playwriting since 1945 (forthcoming) and the Palgrave Macmillan series Adaptation in Theatre and Performance.
Sruti Bala is Associate Professor at the Dept. of Theatre Studies of the University of Amsterdam, where she currently co-ordinates the MA Theatre Studies programme. She is affiliated to the Amsterdam School of Cultural Analysis and Amsterdam Centre for Globalisation Studies.
Katie Beswick is a Senior Lecturer in Drama at the University of Exeter. She thinks about how theatre, performance and other artistic and cultural products (visual art, literature, television, film, news media) shape our experiences in the world. She has been particularly interested in the relationship between class, culture and city spaces - especially housing. Her monograph Social Housing in Performance: The English Council Estate On and Off Stage was published by Bloomsbury in 2019. She is the editor of the Studies in Theatre and Performance special issue 'Housing, Performance and Activism' (2020), and the author of numerous articles and chapters on performance, housing, art, class and culture. She writes regularly for the music magazine Loud & Quiet, and has published features based on interviews with numerous musicians and hip hop artists from all over the world including the UK, USA, Canada, Iceland and Norway.
Jordana Blejmar is Lecturer in Visual Media and Cultural Studies at the University of Liverpool. She is the author of Playful Memories: The Autofictional Turn in Post-Dictatorship Argentina (2016) and co-editor of three books: Instantáneas de la memoria: fotografía y dictadura en Argentina y América latina (2013), El pasado inasequible: desaparecidos, hijos y combatientes en el arte y la literatura del nuevo mileno (2018) and Entre/telones y pantallas: afectos y saberes en la performance argentina contemporánea (in press). She is an editor of Bulletin of Hispanic Studies and of Bulletin of Contemporary Hispanic Studies.
Roland Bleiker is Professor of International Relations at the University of Queensland, where he coordinates an interdisciplinary research program on Visual Politics. His own research explores the politics of aesthetics, visuality and emotions, which he examines across a range of issues, from humanitarianism and peacebuilding to protest movements and the conflict in Korea. His books include Visual Global Politics (Routledge, 2018), Aesthetics and World Politics (Palgrave, 2009/2012), Divided Korea: Toward a Culture of Reconciliation (University of Minnesota Press, 2005/8), and Popular Dissent, Human Agency and Global Politics (Cambridge University Press, 2000).
James Brassett is Reader in International Political Economy in the Department of Politics and International Studies, University of Warwick.
Jorge Cadena-Roa is professor of sociology, Facultad de Ciencias Políticas y Sociales, Universidad Nacional Autónoma de México (UNAM)
Catherine Chiniara Charrett is a Lecturer in Global Politics at the University of Westminster. Their research is on anti-imperial and queer approaches to European - Palestinian relations. Dr. Chiniara Charrett was an Early Career Research Fellow with the Independent Social Research Foundation (ISRF) for a project entitled, "Performing technologies in European, Israeli and Palestinian Security Cooperation" which used transdisciplinary and queer methods to investigate Israeli access to H2020 funding and the EUPOL COPPS mission based in Ramallah. Dr. Chiniara Charrett has produced two Politics in Drag performances on the topics of their research, "Sipping Toffee with Hamas in Brussels" (2014) and The Vein, the Fingerprint Machine and the Automatic Speed Detector (2018). Dr. Chiniara Charrett has a single authored manuscript entitled, The EU, Hamas and the 2006 Palestinian Elections: A Performance in Politics and has published in the European Journal of International Relations and Review of International Studies.
Emma Cox is Reader in Drama and Theatre at Royal Holloway, University of London. She is the author of Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism (2015), Theatre & Migration (2014), and editor of the play collection Staging Asylum (2013). Her writing has been published internationally in journals such as Theatre Journal and Theatre Research International. She is co-editor of a major new interdisciplinary book, Refugee Imaginaries: Research Across the Humanities (2020).
Emma Crewe is Professor, Department of Anthropology and Director, Global Research Network on Parliaments and People, SOAS University of London; Visiting Professor, University of Hertfordshire Business School. Emma Crewe is an anthropologist researching Parliaments and civil society in the UK, South Asia and East Africa. She began her research into organisations in 1987 and into Parliaments in 1998, carrying out ethnographies in both the House of Lords and the House of Commons. Since 2014 she has been managing coalitions and giving grants to scholars in Bangladesh, Ethiopia and Myanmar to research their parliaments and civil society. She is a member of faculty teaching students on an innovative course (Doctorate in Management by Research) at the University of Hertfordshire. She has published widely and The Lords of Parliament: Manners, Rituals and Politics (2005) and The House of Commons: an Anthropology of MPs at Work (2015) were the first anthropological accounts of the Westminster Parliament. She is Chair the Royal Anthropological Institute's Committee on Policy and Practice.
Jean-Pascal Daloz is Senior CNRS Research Professor at the new SAGE Centre in Strasbourg. After having worked in sub-Saharan Africa, he held positions at the Universities of Bordeaux, Oslo and Oxford. He is also a Faculty Fellow of the Centre for Cultural Sociology at Yale and chaired the Research Committee on comparative sociology of the International Sociological Association from 2008 to 2018. His research mainly focuses on the comparative study of elite distinction and on the symbolic dimensions of political representation. He is also an authority in the field of cultural interpretive analysis. He has published 15 books so far, including Africa Works: Disorder as public instrument (Oxford, 1999); Culture Troubles: Politics and the interpretation of meaning (Chicago, 2006), co-authored; The Sociology of Elite Distinction: From theoretical to comparative perspectives (New York, 2010); Rethinking Social Distinction (New York, 2013); La représentation politique (Paris, 2017).
Matt Davies is Senior Lecturer in International Political Economy. He joined the staff in Politics at Newcastle University in 2006 as a Lecturer in International Political Economy. Until recently, he was the Director of the Postgraduate Taught Programmes in Politics and Degree Programme Director for the MA in World Politics and Popular Culture. His current research involves a theoretical critique of contemporary International Political Economy.
Bishnupriya Dutt is Professor of Theatre and Performance studies, in the School of Arts and Aesthetics, Jawaharlal Nehru University. Her area of research includes colonial and post-colonial histories of theatre, feminist readings of Indian Theatre and contemporary performance practices and popular culture. Her recent publications include Gendered Citizenship: Performance and Manifestation (co-edited with Reinelt and Sahai) ( Palgrave Macmillan; 2017), October Revolution, echoes of the past: Lenin in popular sites and theatre (Studies in Theatre and Performance, 2019), Protesting Violence: Feminist Performance Activism in Contemporary India (in Diamond, Varnay and Amich eds: Performance, Feminism and Affect in Neo-Liberal Times, Palgrave Macmillan, 2017). She has led a number of international collaborations with University of Warwick, Freie Universitat, Berlin and University of Cologne. She is currently the Vice President of the International Federation for Theatre Research. She has been involved in active theatre with the People's Little Theatre, where she performs and directs.
Stuart Elden is Professor of Political Theory and Geography at the University of Warwick. He is the author of books on territory, Michel Foucault, Martin Heidegger, and Henri Lefebvre. His most recent books are Shakespearean Territories (University of Chicago Press 2018); and Canguilhem (Polity 2019). He is currently working of a study of the very early Foucault, as well as editing a collection of Lefebvre's writings on rural sociology with Adam David Morton. A longer-term project explores the concept of terrain as a way of thinking about the materiality of territory.
Alan Finlayson is Professor of Political & Social Theory in the School of Politics, Philosophy, Language and Communication Studies at the University of East Anglia in Norwich, UK.
Lisa Fitzpatrick is Senior Lecturer in Drama at University of Ulster, and course director of the MA in Contemporary Performance Practice. She completed her PhD at University of Toronto. Her work is mainly concerned with gender, violence, and conflict, and her monograph Rape on the Contemporary Stage (Palgrave, 2018) investigates the representation of sexual violence in British and Irish theatre. She is currently working with Kabosh Theatre Company on a project on sexual violence and conflict. She is one of the conveners of the Feminist Working Group for IFTR and is a founding member of the Irish Society for Theatre Research.
M.I. Franklin is Professor of Global Media and Politics at Goldsmiths University of London. This contribution draws on ideas from Sampling Politics: Music and the Geocultural (Oxford University Press) and Change the Record: Punk Women Music Politics (Bremen: transcript Verlag)
Milija Gluhovic is Reader in Theatre and Performance at the University of Warwick. His research interests include contemporary theatre and performance, memory studies, migrations and human rights, religion and secularism, and international performance research and pedagogy. His publications include Performing European Memories (Palgrave, 2013) and co-edited volumes Performing the 'New' Europe (Palgrave, 2013), Performing the Secular (Palgrave, 2017), and International Performance Research Pedagogies (Palgrave, 2018). He is currently completing a monograph A Theory for Theatre Studies: Memory for Bloomsbury and co-editing The Oxford Handbook of Politics and Performance. Currently he serves as the Director of Graduate Studies for TPS at Warwick. He is a member of the IFTR Executive Committee and the EASTAP Journal editorial board.
Bree Hadley is Associate Professor and Study Area Coordinator for Acting and Drama at Queensland University of Technology. Hadley is editor of The Routledge Handbook of Disability Arts Culture and Media (2018, with Dr Donna McDonald), author of Theatre, Social Media and Meaning Making (Palgrave 2017) and Disability, Public Space Performance & Spectatorship: Unconscious Performers (Palgrave 2014), and has published extensively in journals such as Disability & Society, CSPA (Center for Sustainable Practice in the Arts) Quarterly, Performance Research, Australasian Drama Studies, Brolga: An Australian Journal About Dance, and other journals.
Charlotte Heath-Kelly is a Reader in Politics and International Studies at the University of Warwick. She has published two monographs: 'Death and Security: Memory and Mortality at the Bombsite' (Manchester University Press 2017) and 'Politics of Violence: Militancy, International Politics, Killing in the Name (Routledge, 2013). Charlotte currently leads a European Research Council funded project at Warwick, exploring the transfer of Countering Violent Extremism policies between European states.
Emma Hutchison is Associate Professor and Australian Research Council DECRA Fellow in the School of Political Science and International Studies at the University of Queensland. Her work focuses on emotions and trauma in world politics, particularly in relation to security, humanitarianism and international aid. She has published across these areas in numerous academic journals and books. Her book, Affective Communities in World Politics: Collective Emotions After Trauma (Cambridge University Press, 2016) was awarded the British International Studies Association Susan Strange Book Prize and the ISA Theory Section Best Book Prize.
Silvija Jestrovic is professor of Theatre and Performance Studies at the University of Warwick, UK. She is the author of Theatre of Estrangement: Theory, Practice, Ideology (U of Toronto Press 2006) and Performance Space Utopia: Cities of War, Cities of Exile (Palgrave 2012); her latest book is Performing Authorial Presence and Absence: The Author Dies Hard (Palgrave 2020). She has been leading on the interdisciplinary project Cultures of the Left: Manifestations and Performances (funded by the British Academy) and has co-edited with Ameet Parameswarm, the special journal issue of Studies in Theatre and Performance, Performing Worksites of the Left (2019). She is associate editor of the journal Theatre Research International.
Adrian Kear is Programme Development Director, Performance Arts, at Wimbledon College of Arts, the University of the Arts London. His publications include Thinking Through Theatre and Performance (with Maaike Bleeker, Joe Kelleher and Heike Roms, Methuen, 2019), Theatre and Event: Staging the European Century (Palgrave, 2013), International Politics and Performance: Critical Aesthetics and Creative Practice (with Jenny Edkins, Routledge, 2013), On Appearance (co-edited issue of Performance Research, with Richard Gough, 2008), Psychoanalysis and Performance (with Patrick Campbell, Routledge, 2001), and Mourning Diana: Nation, Culture and the Performance of Grief (with Deborah Steinberg, Routledge, 1999).
Edgaras Klivis is the Head of Department of Theatre Studies, Faculty of Arts, Vytautas Magnus University.
Kate Leader is a Lecturer in Law at York Law School. Prior to this, she was an Associate Lecturer in Theatre Studies and an Associate Lecturer in Criminal Justice at Birkbeck, University of London. She holds a PhD in Performance Studies (2009) from the University of Sydney and a PhD in Law (2018) from the London School of Economics and Political Science (LSE).
Anna Leander is Professor of International Relations at the Graduate Institute in Geneva. She also holds part-time positions also at PUC, Rio de Janeiro and at the Copenhagen Business School. She is known for her contributions to the development of practice theoretical approaches to International Relations and for her work on the politics of commercializing military and security matters. Her work is always interdisciplinary and mostly collective. She recently published articles in Environment and Planning D: Society and Space, The Indiana Journal of Global Legal Studies and the European Journal of International Security. She currently works on two major research projects: the Violence Prevention Initiative
and the Nordic Centre of Excellence on Security Technologies and Societal Values
. In both projects, Anna focuses on the material politics of commercial security technologies. The aesthetic and affective dimensions of this politics. Anna has extensive experience with collective editorial and organizational work.
Desiree Lewis has taught literary studies at the Universities of the Witwatersrand, Cape Town, Kwazulu Natal and the Western Cape. She has also lectured on Women's and Gender Studies at universities in and beyond South Africa. She has a research interest in literary and popular culture, global feminist knowledges and politics, the politics of visuality and representation and postcolonial writing and culture. She has been a Fulbright scholar-in-residence, a research associate at the Nordic Africa Institute in Uppsala Sweden, and a visiting researcher and lecturer in the United States and Sweden. She currently serves on the editorial boards of four academic journals and is a Council Member of the National English Literary Museum.
Yana Meerzon teaches at the Department of Theatre, University of Ottawa. Her research interests are in drama and performance theory, and theatre of migration and nationalism. Her book publications on this topic include Performance, Exile and 'America' (Palgrave, 2009); Performing Exile - Performing Self: Drama, Theatre, Film (Palgrave 2012); History, Memory, Performance (Palgrave 2015); Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre (Routledge 2019), Theatre and (Im)migration (Playwrights Canada Press 2019), and Migration and Stereotypes in Performance and Culture (Palgrave, 2020).
Sophie Nield teaches theatre and film in the Department of Drama, Theatre and Dance at Royal Holloway, University of London, UK. She writes on questions of space, theatricality and representation in political life and the law, and on the performance of 'borders' of various kinds. Recent work has focused on the figure of the refugee, the theatrical legitimation of law, and the political viability of the riot. She also publishes on aspects of nineteenth century culture, including studies of Bram Stoker's Dracula, migration and disease; the London Dock Strike of 1889; and the evolution of theatrical technology.
Ameet Parameswaran is Assistant Professor of Theatre and Performance Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University. He has published articles in journals including Theatre Research International, Performance Research, Theatre Research International, Studies in Theatre and Performance. His monograph, Performance and the Political: Power and Pleasure in Contemporary Kerala (Orient Blackswan), was published in 2017. His areas of research include political theatre and performance, performance historiography, theatrical exchanges, region studies.
Julia Peetz is a Leverhulme Early Career Fellow at the University of Warwick, where her research engages with questions of political distrust, representation, democracy, and performance, particularly in the context of the U.S. presidency and in Anglo-American relations. Her work has been awarded the 2017 James Thomas Memorial Prize (PSA Media and Politics Group) and the 2019 Asako Okukubu Prize (University of Surrey) for excellence in PhD research; it is published in both politics and theatre/performance journals such as Contemporary Political Theory, Contemporary Theatre Review, and Performance Research.
Goran Petrovic Lotina is a scholar and curator in visual and performing arts. He has studied in Belgrade, Ghent and Paris. He is Research Fellow at the University of Warwick's Institute of Advanced Study and Department for Theatre and Performance Studies, focused on performance and populism; Visiting Professor at Sciences Po: Paris Institute of Political Studies, where he launched a course on performance and politics; Founder and Co-curator of Fogo Island Film in Canada, an annual project concerned with the diversity of relationships between nature and society. Petrovic Lotina's research combines political philosophy and performance studies to examine the political dimensions of civic and artistic performances. His main field of inquiry is to explore how performance practices contribute to contesting dominant politics and invigorating democracy. He finds inspiration in theories of strategy, discourse, and hegemony, and has published around these topics in various journals and books.
Cristina Puga is professor of political sociology, Facultad de Ciencias Políticas y Sociales, Universidad Nacional Autónoma de México (UNAM)
Nirmal Puwar is a senior lecturer at the department of Sociology at Goldsmiths University and Co-Director of Methods Lab. She is a member of the Feminist Review editorial collective since 2000. Puwar has co-edited 17 Collections, including: Post-colonial Bourdieu; Orientalism and Fashion; Intimacy in Research; Live Methods and, South Asian Women in the Diaspora. Puwar has written about and researches postcolonialism; institutions, race and gender and critical methodologies and has written two books; Space Invaders: race, gender and bodies out of place (2004), in which she argues that that diversity is about perceptions of whiteness rather than how whiteness operates, and Fashion and Orientalism (2003). In 2007, she directed the film Coventry Ritz which emphasizes "the haunting remnants of emptied out architecture and unused space."
Shirin Rai studied at the University of Delhi (India) and Cambridge University (UK) and joined the University of Warwick in 1989. She is Professor in the department of Politics and International Studies. She is the Director of the Warwick Interdisciplinary Research Centre for International Development. Her research interests are in performance and politics, political institutions and the political economy of development. Her latest book is Performing Representation: Women Members in the Indian Parliament (with Carole Spary; OUP), 2019. As Senior Fellow at ICAS:MP Shirin will be writing a book on Depletion: the human costs of caring. She is keen to interact with early career researchers and colleagues working in the broad field of international political economy and gender and politics.
Nicholas Sarra is Psychotherapist and Organisational Consultant, Devon Partnership NHS Trust, Visiting Professor, University of Hertfordshire Business School. Nicholas Sarra's work in the local healthcare community mainly involves leading on mediation, debriefing, and staff support issues. He is an active clinician and researcher, supervising staff and convening psychotherapy clinics. He trains clinical psychologists at Exeter university and doctoral students at the Business School at Hertfordshire University. He also works privately as an organisational consultant and researcher and is a qualified Group Analyst (member of the Institute of Group Analysis) and mediator. He has consulted to and mediated for numerous organisational groups, particularly within healthcare in the UK, Europe and USA. He has also been involved in post conflict situations, such as South Sudan and the aftermath of the Beslan hostage taking crisis in Ossetia, and lived and worked in the Sudan, the People's Republic of China and Saudi Arabia.
Willmar Sauter is professor of theatre studies and dean of humanities at Stockholm University in Sweden, author of Understanding Theatre: Performance Analysis in Theory and Practice, and former president of the International Federation for Theatre Research.
Michael Saward is professor of politics and international studies at the University of Warwick. Author of numerous articles and chapters on democratic theory and practice, representation and citizenship, his books include The Representative Claim (2010) and Democratic Design (2020), both published by Oxford University Press. His work on performance and politics includes Making Representations (ECPR Press and Rowman and Littlefield 2020).
Kimberly Wedeven Segall is Professor of English and Director of Cultural Studies Major at Seattle Pacific University, as well as Affiliate Faculty of Gender, Women, and Sexuality Studies at University of Washington. Her recent article on "De-imperializing Gender," in Journal of Middle East Women's Studies, March 2019, is part of her research trajectory on political and artistic performances, also evident in Performing Democracy in Iraq and South Africa: Gender, Media, and Resistance, by Syracuse University Press, 2013.
Carole Spary has a PhD in Politics from the University of Bristol. She is Associate Professor in the Department of Politics, and deputy director of the Asia Institute, University of Nottingham. She is the author (with Shirin M Rai) of Performing Representation: Women Members in the Indian Parliament and Gender, Development, and the State in India.
Lisa Skwirblies studied Theater Studies, General and Comparative Literature and Modern German Literature at LMU Munich and in the Master for International Performance Research (MAIPR) at the University of Amsterdam and the University of Warwick. In 2013-2017 she received her doctorate in Warwick on the topic "Theaters of Colonialism: Theatricality, Coloniality, and Performance in the German Empire, 1884-1914". From 2017 to 2018 Lisa Skwirblies was an Early Career Fellow at the Institute for Advanced Studiesthe University of Warwick. Between 2014 and 2018 she taught as a guest lecturer and mentor at the Theater Academy in Amsterdam in the School for New Dance Development (SNDO) and the Master for Theater and Dance (DAS) and was a guest lecturer for science theory at the Institute for Theater Studies at the University of Amsterdam (UvA ) employed. In addition to her academic work, Lisa Skwirblies has also worked on various theater and dance projects as a dramaturge and dramaturgical consultant, most recently with Edit Kaldor, Oneka von Schrader, Hyoung-Min Kim, Enkidu Khaled, and Joachim Robbrecht. Between 2014 and 2016 she was a board member of the Dutch theater festival SPRING Festival.
Erzsébet Strausz is Assistant Professor in the Department of International Relations at Central European University. She holds a PhD from Aberystwyth University and her research focuses on post-structuralist theory, Critical Security Studies, critical pedagogy, as well as creative, experimental and narrative methods in the study of world politics. She was awarded the British International Studies Association's Excellence in Teaching International Studies Prize in 2017 while she was teaching at the University of Warwick and her research monograph Writing the Self and Transforming Knowledge in International Relations: Towards a Politics of Liminality was nominated by Routlege for the Sussex International Theory Prize in 2019. Together with Shine Choi and Anna Selmeczi she is co-editor of the edited volume Critical Methods for the Study of World Politics: Creativity and Transformation.
Julia C. Strauss is Professor of Chinese and Comparative Politics at SOAS, University of London., where she served as Editor of The China Quarterly between 2002 and 2011. Her research interests span both sides of the Taiwan Strait and are focused on state building, the performative dimensions of politics, and China's rise as a development actor, particularly with respect to Africa and Latin America. Her monograph State Formation in China and Taiwan: Bureaucracy, Campaign and Performance was published by Cambridge in 2020. Co-edited volumes include State Formations: Global Histories and Cultures of Statehood (Cambridge, 2018) and Staging Politics: Power and Performance in Asia and Africa (IB Tauris, 2007). Her books include the edited volume The History of the People's Republic of China (Cambridge, 2006), and the monograph Strong Institutions in Weak Polities: State Building in Republican China, 1927-1940 (Clarendon, 1998).
Ioana Szeman is Reader in Drama, Theatre and Performance Studies at the University of Roehampton, London. Her book Staging Citizenship: Roma, Performance and Belonging in EU Romania (Berghahn, 2018) is based on long-term ethnographic fieldwork with urban Roma. Ioana currently researches the representation of Roma in nineteenth century Eastern European theatre. Her articles have appeared in books and journals, including Theatre Research International, New Theatre Quarterly, TDR, and Performance Research. She is a member of the Feminist Review editorial collective.
John Uhr is Professor of Political Science; and former director, Centre for the Study of Australian Politics, School of Politics and International Relations, College of Arts and Social Sciences, ANU College of Arts and Social Sciences.
Dr Illan rua Wall is a Reader at the School of Law in the University of Warwick. He is a critical legal theorist, working on ideas of protest, sovereignty and constituent power. His next book Law and Disorder is forthcoming from Routledge. It develops an atmospheric account of sovereignty and social unrest. He is on the editorial board of the journal Law and Critique. He is a founding editor of CriticalLegalThinking.com and the open access publisher CounterPress.org.uk. He also curates the undergraduate student podcast series OrdersInDecay.com.
Narelle Warren, PhD, is a Senior Lecturer in anthropology and sociology in the School of Social Sciences, Monash University, Melbourne, Australia. Since 2003, she has researched lived experiences of ageing-related disability in Australia and Malaysia from the perspectives of people living with neurodegenerative conditions and their caregivers.
Mathew Watson is Professor of Political Economy in the Department of Politics and International Studies at the University of Warwick. From 2013 to 2019 he was also a UK Economic and Social Research Council Professorial Fellow, pursuing a project called 'Rethinking the Market'. His most recent book, published in 2018 by Agenda/Columbia University Press, is simply called, The Market.
