The Oxford Handbook of Music Censorship
Edited by Patricia Hall
Author Information
Edited by Patricia Hall, Professor and Chair of Music Theory, University of Michigan
Patricia Hall is Professor of Music Theory at the University of Michigan. Her publications include A View of Berg's Lulu Through the Autograph Sources (University of California Press, 1997) and Berg's Wozzeck (OUP, 2011).
Contributors:
Paul Attinello is Senior Lecturer in the International Centre for Music Studies at Newcastle University.
Michael Beckerman is Professor of Music at New York University.
Jennifer DeLapp-Birkett is an independent scholar in musicology.
Travis L. Dixon is Communication Alumni Professorial Scholar and Associate Professor of Communication Studies and African American Studies at the University of Illinois, Urbana-Champaign.
Michael Drewett is Associate Professor of Sociology at Rhodes University.
Pauline Fairclough is Reader in Music at the University of Bristol.
Dick Flacks is Professor of Sociology at University of California, Santa Barbara.
Kimberly Francis is Assistant Professor of Music at the University of Guelph.
Sandra Jean Graham is Associate Professor of Ethnomusicology in the Arts & Humanities division at Babson College.
Nancy Guy is Professor of Integrative Studies in the Department of Music at the University of California, San Diego.
Patricia Hall is Professor and Chair of Music Theory for the School of Music, Theatre & Dance at the University of Michigan.
Carol A. Hess is Professor and Chair of the Department of Music at the University of California, Davis.
Ana Hofmann is Senior Research Fellow and Assistant Professor at the Slovenian Academy of Sciences and Arts.
Francesco Izzo is Professor and the Head of Music at the University of Southampton.
Hedy Law is Assistant Professor of Musicology at the University of British Columbia.
Laurenz Lütteken is Professor of Musicology at the University of Zurich.
Luisa Nardini is Associate Professor of Musicology at The University of Texas, Austin.
Martin Nedbal is Assistant Professor of Musicology at the University of Kansas.
Thais Lima Nicodemo is Researcher in Music at the University of Campinas.
Barley Norton is Reader in Ethnomusicology at Goldsmiths, University of London.
David C. Paul is Associate Professor of Musicology at the University of California, Santa Barbara.
Alejandro Planchart is Professor Emeritus of Music at the University of California, Santa Barbera.
Roxane Prevost is Associate Professor of Music at the University of Ottowa.
Peter Schmelz is Associate Professor of Music at Arizona State University.
Na'ama Sheffi teaches at the School of Communication at Sapir College, Sderot in Israel.
Jeremy L. Smith is Professor of Musicology at the University of Colorado Boulder.
Gordon Thompson is Professor and Chair of the Department of Music at Skidmore College.
Robin Wallace is Professor of Musicology at Baylor University.
Guillermo Wilde is Senior Researcher for the National Council for Scientific and Technical Research (CONICET), Argentina.
Hon-Lun Yang is Professor of Music History at Hong Kong Baptist University.
Ameneh Youssefzadeh is Co-consulting Editor of Music at Encyclopedia Iranica, and Visiting Scholar at the City University of New York, CUNY Graduate Center.