The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
Edited by Paul Watt, Sarah Collins, and Michael Allis
Author Information
Paul Watt is Associate Professor of Musicology at Monash University, Melbourne. He has published widely on the musical, cultural, intellectual, and religious history of the nineteenth century in journals such as Music & Letters, Musicology Australia, Nineteenth-Century Music Review, the RMA Research Chronicle, and the Yale Journal of Music & Religion. He is the author of Ernest Newman: A Critical Biography (2017) and The Regulation and Reform of Music Criticism in Nineteenth-Century England (2018). He is a contributor to The Oxford Handbook of Opera (2014), The Cambridge History of Music Criticism (2019), The Cambridge History of Atheism (2020), and The Routledge Handbook of Street Culture (2020).
Sarah Collins is Associate Professor of Musicology at the University of Western Australia. She is the author of Lateness and Modernism: Untimely Ideas about Music, Literature and Politics in Interwar Britain (2019), and The Aesthetic Life of Cyril Scott (2013), as well as the editor of Music and Victorian Liberalism: Composing the Liberal Subject (2019). Her work has appeared in journals including the Journal of the Royal Musical Association, Twentieth-Century Music, Music & Letters, and Musical Quarterly.
Michael Allis is Professor of Musicology at the University of Leeds, UK. He is the author of Parry's Creative Process (2003) and British Music and Literary Context: Artistic Connections in the Long Nineteenth Century (2012), and has edited the music criticisms of Aldous Huxley (2013) and selected letters of Granville Bantock (2017) - which won the 2018 C.B. Oldman Award. He has published widely on music/literature connections and British music of the nineteenth and early twentieth century (Bantock, Bax, Elgar, Holbrooke, Parry, Stanford, Warlock), and is on the Editorial Board of the Journal of Victorian Culture.
Contributors:
Michael Allis, Professor of Musicology, University of Leeds
Rémy Campos, Professor, Conservatoire de Paris and Haute école de musique de Genève
Martin V. Clarke, Lecturer in Music, The Open University
Sarah Collins, Associate Professor of Musicology, University of Western Australia
Jeremy Dibble, Professor of Musicology, Durham University
Michel Duchesneau, Professor of Music, Faculté de musique, Université de Montréal
Daniel M. Grimley, Professor of Music, University of Oxford
Michael Halliwell, Associate Professor of Vocal Studies and Opera, Sydney Conservatorum of Music, University of Sydney
Kevin C. Karnes, Winship Professor of Music History, Emory University
Lawrence Kramer, Distinguished Professor, Department of English, Fordham University
Mattias Lundberg, Professor of Music, Uppsala University
Catherine Massip, Associate, Institut de recherche en musicologie, Paris
Tomas McAuley, Research Associate, Faculty of Music, University of Cambridge
Simon McVeigh, Professor of Music, Goldmiths, University of London
Gillian M. Rodger, Professor Musicology, University of Wisconsin, Milwaukee
Michael Spitzer, Professor of Music, University of Liverpool
Benedict Taylor, Reader in Music, University of Edinburgh
Peter Tregear, Principal Fellow, Melbourne Conservatorium of Music
Noel Verzosa, Associate Professor of Music, Hood College
Paul Watt, Associate Professor of Musicology, Monash University
William Weber, Professor of History, California State University, Long Beach
Christopher Wiley, Senior Lecturer in Music, University of Surrey
Bennett Zon, Professor of Music, Durham University
