The Oxford Handbook of Computer Music
Edited by Roger T. Dean
Author Information
Roger Dean is Research Professor of Sonic Communication at the University of Western Sydney, and Founder and Artistic Director of austraLYSIS. He is also author of Hyperimprovisation: Computer Interactive Sound Improvisation (2003) and Sounds from the Corner: Australian Contemporary Jazz Since 1973 (2005)
Contributors:
Freya Bailes, University of Western Sydney
Michael Casey, Dartmouth College
Nick Collins, University of Sussex
Roger T. Dean, University of Western Sydney
Paul Doornbusch, Victoria University, Wellington
Alan Dorin, Monash University
Alice Eldridge, Monash University
Simon Emmerson, De Montfort University
James Harley, University of Guelph
Douglas Keislar, Berkeley
Leigh Landy, De Montfort University
Peter Lennox, University of Derby
George E. Lewis, Columbia University
Peter Manning, University of Durham
Jon McCormack, Monash University
Peter McIlwain, Monash University
Daniel Mu¨llensiefen, Goldsmiths, University of London
Pauline Oliveros, Rensselaer Polytechnic Institute
Garth Paine, University of Western Sydney
Marcus T. Pearce, Goldsmiths, University of London
Tim Perkis, Berkeley
Palmyre Pierroux, University of Oslo
Jøran Rudi, University of Oslo
Noam Sagiv, Brunel University
Wayne Siegel, Royal Academy of Music, Aa°rhus
Mary Simoni, University of Michigan
Hazel Smith, University of Western Sydney
Atau Tanaka, University of Newcastle, UK
Geraint A. Wiggins, Goldsmiths, University of London
Trevor Wishart, Durham University
David Worrall, University of Canberra