General Introduction, Peter Brooker and Andrew Thacker
Part One VICTORIAN PRECURSORS
Introduction
1. The Pre-History of the 'Little Magazine', John Plunkett and Kyriaki Hadjiafxendi
2. In the Beginning There Was the Germ: The Pre-Raphaelites and 'Little Magazines', Marysa Demoor
Part Two FIN-DE-SIÈCLE VENTURES (1884-1905)
Introduction
3. Aestheticism and Decadence: the Yellow Book (1894-97); the Chameleon (1894); and the Savoy (1896), Laurel Brake
4. Symbolism in British 'Little Magazines': the Dial (1889-1897); the Pageant (1896-7); and the Dome (1897-1900), David Peters Corbett
5. 'The Arts and Crafts Movement': the Century Guild Hobby Horse (1884-94); the Studio (1893- ); the Evergreen (1895-6); and the Acorn (1905), Imogen Hart
Part Three EARLY STATEMENTS (1899-1915)
Introduction
6. Yeats and the Celtic Revival: Beltaine (1899-1900); Samhain (1901-1908); Dana (1904-5); and the Arrow (1906-9), Alex Davis
7. The New Poetry, Georgians and Others: the Open Window (1910-11); the Poetry Review (1912-15); Poetry and Drama (1913-14); and New Numbers (1914), Dominic Hibberd
Part Four TRANSITIONS
Introduction
8. Democracy and Modernism: the New Age under A. R. Orage (1907-1922), Ann L. Ardis
9. Ford Madox Ford and the English Review (1908-37), Cliff Wulfman
10. The London Mercury (1919-1939) and Other Moderns, Matthew Huculak
Part Five INTERVENTIONS (1911-19)
Introduction
11. Gender and Modernism: the Freewoman (1913); the New Freewoman (1911-12); and the Egoist (1914-19), Jean-Michel Rabaté
12. The 'Little Magazine' as Weapon: BLAST (1914-15), Andrzej Gasiorek
13. Harmony, Discord, and Difference: Rhythm (1911-13); the Blue Review (1913); and the Signature (1915), Peter Brooker
Part Six EDITORS AND PROGRAMMES
Introduction
14. The Idea of a Literary Review: T. S. Eliot and the Criterion (1922-39), Jason Harding
15. Enemies of Cant: the Athenaeum and the Adelphi (1923-48), Michael Whitworth
16. Standards of Criticism: the Calendar of Modern Letters (1925-7), John Lucas
17. The Cause of Poetry: Thomas Moult and Voices (1919-21); Harold Monro and the Monthly Chapbook (1919-25), Mark Morrisson
18. Desmond MacCarthy, Life and Letters (1928-35), and Bloomsbury Modernism, Jane Goldman
Part Seven INTO THE 1920s: DISPERSAL AND DIFFERENCE
Introduction
19. Aftermath of War: Coterie (1919-21); New Coterie (1925-27); Robert Graves and the Owl (1919-23), Andrew Thacker
20. Literature and the Visual Arts: Art and Letters (1917-20) and the Apple (1920-22), Rebecca Beasley
21. Cinema and Visual Culture: Close Up (1927-33), Laura Marcus
22. Interventions in the Public Sphere: Time and Tide (1920-30) and the Bermondsey Book (1923-1930), Jane Dowson
23. Cultural Criticism at the Margins: Wyndham Lewis, the Tyro (1920-21), and the Enemy (1927-29), Paul Edwards
24. Nostalgia and Reaction: Austin O. Spare and Form (1916-17; 1921-22); the Golden Hind (1922-24); and the Decachord (1924-31), Stephen Rogers
Part Eight COMMITMENT TO THE NEW: THE 1930s
Introduction
25. Cambridge Magazines and Unfinished Business: Experiment (1928-30); the Venture (1928-30); and Cambridge Left (1933-34), Scott McCracken
26. Art and Politics in the 1930s: the European Quarterly (1934-35); Left Review (1934-38); and Poetry and the People (1938-40), Peter Marks
27. Poetry Then: Geoffrey Grigson and New Verse (1933-39); Julian Symons and Twentieth Century Verse (1937-9), Stan Smith
28. A New Prose: John Lehmann and New Writing (1936-40), Françoise Bort
29. 'National papers please reprint'. Surrealist Magazines in Britain: Contemporary Poetry and Prose (1936-7); London Bulletin (1938-40); and Arson: An Ardent Review (1942), Rod Mengham
Part Nine BEYOND THE METROPOLIS: NATIONAL AND MIGRANT VOICES IN THE 1930s AND 1940s
Introduction
30. Wales (1937-39); the Welsh Review (1939-), Chris Hopkins
31. From Revolution to Republic: Magazines, Modernism, and Modernity in Ireland: the Klaxon (1923); the Irish Statesman (1923-30); the Dublin Magazine (1923-58); To-Morrow (1924); Ireland To-Day (1936-38); and the Bell (1940-54), Frank Shovlin
32. Modernism and National Identity in Scottish Magazines: the Evergreen (1895-97); the Northern Review (1924); the Modern Scot (1930-36); Scottish Art and Letters (1944-1950); the Scottish Chapbook (1922-3); Outlook (1936-1937); and the Voice of Scotland (1938-39; 1945; 1955), Cairns Craig
33. A New 'Art of the Theatre': Gordon Craig's the Mask (1908-28) and the Marionette (1918-19), Olga Taxidou
34. Modernism as 'Uninfected Discourse': Laura Riding, Epilogue (1935-38) and Focus (1935), Mark Jacobs
Part Ten THE CALL TO CRITICISM AND MODERNIST DESTINIES
Introduction
35. 'Say not the struggle naught availeth': F. R. Leavis and Scrutiny (1932-53), Sean Matthews
36. Cyril Connolly's Horizon (1940-50) and the End of Modernism, Sean Latham
37. Poetry London (1939-1951) and Indian Writing (1940-42): the Apocalyptic Poets, 'New Modernism', and 'The Progressive View of Art', James Keery
Bibliography
