The First World Festival of Negro Arts, Dakar 1966

Edited by David Murphy

Liverpool University Press

Postcolonialism Across the Disciplines LUP

This is the first full-length volume to engage with the 1966 Dakar festival (other books have devoted a chapter to the festival as part of a wider discussion of African culture/1960s).
The book draws together research by scholars who have already published important articles/books in this area (e.g. Andrew Apter, Elizabeth Harney, Tsitsi Jaji) alongside work by emerging scholars.
By also focusing on the legacies of the 1966 festival, the volume will be of interest to those working on African cultural festivals more widely rather than simply those interested in the 1966 event.

The First World Festival of Negro Arts, Dakar 1966

Edited by David Murphy

Liverpool University Press

Postcolonialism Across the Disciplines LUP

Description

In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.

The First World Festival of Negro Arts, Dakar 1966

Edited by David Murphy

Liverpool University Press

Postcolonialism Across the Disciplines LUP

Author Information

David Murphy is Professor of Postcolonial Studies at the University of Stirling and President of the Society for Francophone Postcolonial Studies.

The First World Festival of Negro Arts, Dakar 1966

Edited by David Murphy

Liverpool University Press

Postcolonialism Across the Disciplines LUP

Reviews and Awards

"A terrific book that combines an impressive range of both new and emerging voices with leading international specialists located in transnational settings, and that will be of tremendous relevance to students and scholars in fields as diverse as cultural studies, performance studies, French and Francophone Studies, History and African Studies." Dominic Thomas

"This book provides an in-depth analysis of an event that marked its era and resonates in ours and inspires others to take its ideas forward in new and unexpected directions." Yohann C. Ripert, Research in African Literatures