The Emergence of the Lyric Canon
Theodora A. Hadjimichael
Table of Contents
Frontmatter
List of Maps and Figures
Conventions and Abbreviations
Note to the Reader
0:Introduction: The Lyric Canon
0.1:Canons and Canonization
0.2:The Emergence of the Lyric Canon: Chapter Layout
0.3:The Hermeneutic Framework: Reception and the Classic
1:The World of Lyric: Local, Pan-Hellenic, and Athenian
1.1:The World of Lyric: Lyric Geography and Travels
1.1.1:Local and Wandering Lyric Poets
1.1.2:Poetic Pan-Hellenism and Pan-Hellenic Poets
1.2:The World of 'Athenian' Lyric
1.2.1:Importing Lyric Poets
1.2.2:Monuments and Names
2:The Canonical Nine on the Comic Stage
2.1:Lyric Names for the Symposium
2.2:Melic Poems, Quotations, and Caricatures
2.3:Lyric Figures and Vivid Comic Portrayals
2.4:Recollecting Melic Poems and Recognizing Lyric Poets
3:Plato, Poetry, and the Lyric Nine
3.1:Lyric Poets: Authorities and Models of Inspiration
3.2:Awareness, Knowledge, and Recognition
3.3:Sophoi Lyric Poets and their Transhistorical Truths
4:The Peripatos: Aristotle's Project on Greek Culture
4.1:The Peripatetic Project
4.2:The Peri-treatises on the Lyric Poets
4.3:The 'Lyric' Library of the Peripatos
4.4:Passing on the Inherited Lyric Agenda
5:Towards a Written Text
5.1:Orality and/or Textuality?
5.2:Lyric Texts, Melic Performances, and Lyric Memory
5.3:The Sociology of Lyric Reception and Transmission
6:The Hellenistic Era: Lyric Texts and the Lyric Canon
6.1:Travelling Texts, the Library, and Scholarship
6.1.1:From Athens to the Alexandrian Library?
6.1.2:Working on Lyric Texts in the Library
6.1.3:Travelling Corpora and Travelling Poems
6.2:Canonizing Lyric: The 'Hellenistic' Lyric Canon
7:The Paradox of Bacchylides
7.1:The Alexandrian Bacchylides: Scholarship
7.2:The Alexandrian Bacchylides: Knowledge and Reputation
7.3:Traces of Bacchylides before the Hellenistic Era
8:Conclusion
Endmatter
Bibliography
Index Locorum
Subject Index