William A. Callahan is Professor of International Relations at the London School of Economics and Political Science. His recent books include China Dreams: 20 Visions of the Future (OUP, 2015) and China: The Pessoptimist Nation (OUP: 2010). Callahan also makes documentary films: "China Dreams" was broadcast on KCET (Los Angeles) in 2015, "Toilet Adventures" (2015) was shortlisted for a major award by the Arts and Humanities Research Council, and "Great Walls" (2019) juxtaposes Trump's wall with the Great Wall of China.

Winner of the 2022 International Political Sociology section Best Book Award from the International Studies Association

"Together with recent contributions to visual IR, Callahan's book proves how insightful a broader perspective on visual artefacts is." -- Gabi Schlag, University of Tübingen, Germany, International Affairs

"Sensible Politics is a provocative, intellectually and visually stimulating book that convincingly situates the visual at the heart of global politics. Callahan brings his deep knowledge of Chinese culture and history to show how visual politics is a global phenomenon that cannot be understood without taking a multisensory, interdisciplinary approach. Engaging with Callahan's work is a sensory experience in itself: the interplay of text, image, and touch of the page draws the reader in, with each chapter stepping the reader through the argument as one might hop across sunken stones in a memorial garden lake, challenging, exciting, and enticing the reader to see what is on the other side of each chapter. This book is an excellent example of what critical inquiry can accomplish outside of the confines of conventional academic practice." -- Constance Duncombe, H - Diplo

"Sensible Politics is an excellent read for anyonetrying to understand changing internationalrelations in a post-pandemic scenario." -- Gazal Arora, Jawaharlal Nehru University, Insight Turkey

"Sensible Politics is the one book I've read on visual politics that applies critical thinking on what the visual can do - rupture, appeal to the senses, disorient - to the written word. The written word exists in 'dynamic dyad' with the images in the book, while the structure and the chapters interline to create a multisensory experience in reading it: Callahan is not just telling us about such dyadic interactions, he is showing us." -- Professor Sophie Harman, LSE Review of Books