Seneca
Edited by John G. Fitch
Table of Contents
Introduction
1:Imago Vitae Suae, Miriam T. Griffin
2:Seneca's Epistles to Lucilius: A Revaluation, Marcus Wilson
3:Self-scrutiny and Self-transformation in Seneca's Letters, Catharine Edwards
4:Imagination and Meditation in Seneca: The Example of Praemeditatio, Mireille Armisen-Marchetti
5:The Will in Seneca the Younger, Brad Inwood
6:Boundary Violation and the Landscape of the Self in Senecan Tragedy, Charles Segal
7:Construction of the Self in Senecan Drama, John G. Fitch & Siobhan McElduff
8:Senecan Tragedy: Back on Stage?, Patrick Kragelund
9:Staging Seneca: The Production of Troas as a Philological Experiment, Wilfried Stroh
10:Seneca's Oedipus: The Drama in the Word, Donald J. Mastronarde
11:Seneca's Thyestes: The Tragedy with no Women?, Cedric Littlewood
12:The Implied Reader and the Political Argument in Seneca's Apocolocyntosis and De Clementia, Eleanor Winsor Leach
13:Roman Historical Exempla in Seneca, Roland G. Mayer
14:In umbra virtutis. Gloria in the Thought of Seneca the Philosopher, Robert J. Newman
15:Seneca and Slavery, K. R. Bradley
16:The Dating of Seneca's Tragedies, with Special Reference to Thyestes, R. G. M. Nisbet
17:Virgil's Dido and Seneca's Tragic Heroines, Elaine Fantham
18:Seneca and Renaissance Drama: Ideology and Meaning, A. J. Boyle