Roberto Gerhard
Re-Appraising a Musical Visionary in Exile
Edited by Monty Adkins and Rachel E. Mann
Author Information
Edited by Monty Adkins, University of Huddersfield, and Rachel E. Mann, University of Texas Rio Grande Valley
Monty Adkins is a composer, performer, and Professor of Experimental Electronic Music at the University of Huddersfield. He has written and edited books on the relationship between art and music, ambient music, the work of Roberto Gerhard as well as journal articles on the aesthetics of digital music for Organised Sound and the Journal of Music Technology and Education, book chapters on music education, mixed music, and the electronic music of Christopher Fox. Adkins is also active as a composer and sound designer.
Rachel E. Mann is an Assistant Professor of music theory at the University of Texas Rio Grande Valley and has held appointments at the University of Illinois, University of North Texas, and University at Albany. Her research interests include music theory pedagogy, educational technology, and the music and writings of Roberto Gerhard. She is a reader for the AP Music Theory Exam and Senior Content Developer for the software app Harmonia by Illiac Software, which has received major funding from the National Science Foundation. Her research is published by Ashgate, Cambridge Scholars Press, Routledge, and the Journal of Music Theory Pedagogy.
Contributors:
Monty Adkins / University of Huddersfield
Mari Paz Balibrea / Birkbeck, University of London
Benjamin K. Davies / Liceu Conservatory, Barcelona
Judy-Ann Desrosiers / University of Montreal
Sebastiaan Faber / Oberlin College
Samuel Llano / University of Manchester
Francis Lough / University of Birmingham
Rachel E. Mann / University of Texas Rio Grande Valley
Belén Pérez Castillo / Complutense University, Madrid
Mark E. Perry / Oklahoma State University
Magda Polo Pujadas / University of Barcelona
Marco Ramelli / TU Dublin Conservatoire
Leticia Sánchez de Andrés / Independent
Julian White / Independent
