Rethinking Mendelssohn
Edited by Benedict Taylor, Ph.D.
Author Information
Benedict Taylor is Reader in Music at the University of Edinburgh. His research interests centre on nineteenth-century music, theory and analysis, and philosophy. Previous books include Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (2011), The Melody of Time: Music and Temporality in the Romantic Era (2016), and Towards a Harmonic Grammar of Grieg's Late Piano Music (2017).
Contributors:
Celia Applegate, William R. Kenan, Jr. Professor of History, Vanderbilt University
Leon Botstein, President and Leon Levy Professor in the Arts and Humanities, Bard College
Scott Burnham, Distinguished Professor of Music at the Graduate Center, City University of New York
Angela Mace Christian, independent scholar
John Michael Cooper, Professor of Music and Margarett Root Brown Chair in Fine Arts, Southwestern University
Thomas Grey, Professor of Music, Stanford University
Julian Horton, Professor of Music Theory and Analysis, Durham University
Sabine Koch, musicologist, music critic, and specialized music librarian
Lawrence Kramer, Distinguished Professor of English and Music, Fordham University
Harald Krebs, Distinguished Professor and Head of Theory Section at School of Music, University of Victoria
Peter Mercer-Taylor, Professor of Musicology, University of Minnesota
Stephen Rodgers, Associate Professor of Music Theory and Musicianship, University of Oregon
Jennifer Ronyak, Senior Scientist in Musicology, Institute for Music Aesthetics of the University for Music and Performing Arts Graz
Thomas Schmidt, Dean of Music, Humanities and Media and Professor of Musicology, University of Huddersfield
Laura K. T. Stokes, Performing Arts Librarian and Lecturer in Music, Brown Universityrsity
Benedict Taylor, Reader in Music, University of Edinburgh
Steven Vande Moortele, Associate Professor of Music Theory, University of Toronto
Sarah Clemmens Waltz, Associate Professor of Music History and Director of the Music History programme, University of the Pacific Conservatory of Music
Susan Youens, J. W. Van Gorkom Professor of Music emerita, University of Notre Dame
