Philip Rupprecht is Associate Professor of Music at Duke University. He is the author of Britten's Musical Language (Cambridge) and co-editor of Tonality 1900-1950: Concept and Practice (Steiner, 2012).

Stephen Arthur Allen, Professor of Music, Rider University; Professor of Euphonium, Rutgers University

Arved Ashby, Professor of Music, The Ohio State University

Mervyn Cooke, Professor of Music, University of Nottingham

J. P. E. Harper-Scott, Reader in Musicology and Theory, Royal Holloway, University of London

Paul Kildea, conductor, Britten specialist

Christopher Mark, Senior Lecturer in Musicology, University of Surrey

Philip Rupprecht, Associate Professor of Music, Duke University

Danielle Ward-Griffin, Christopher Newport University, Virginia

Lloyd Whitesell, Associate Professor of Music History, Schulich School of Music, McGill University

Arnold Whittall, Professor Emeritus of Music Theory and Analysis, King's College London

Heather Wiebe, Lecturer in Music, King's College London

Christopher Wintle, Senior Research Fellow, Department of Music, King's College London.

"[M]asterfully blends multiple modes of inquiry and reestablishes Britten as a seminal composer of modernist and postmodern artistic accomplishment... Highly recommended." --Choice