Table of Contents
Communisms, Communist Musics, Robert Adlington
I. Musicians' Perspectives
2. Towards Political and Musical Renewal: The Other Idea of Communism, Giacomo Manzoni
3. Talking Union: The Folk Revival and the American Left, Ernie Lieberman
4. 'Non, je ne regrette rien', Konrad Boehmer
5. The Multiple Politics of Henry Cow, Chris Cutler (in interview with Benjamin Piekut)
6. On Music and Politics: Henry Cow, Avant-gardism and its Discontents, Georgina Born
II. To 1960
7. 'Music Left and Right': A Tale of Two Histories of Progressive Music, Anne C. Shreffler
8. 'Workers' Music': Communism and the British Folk Revival, Ben Harker
9. From the Andes to Paris: Atahualpa Yupanqui, the Communist Party, and the Latin American Folksong Movement, Fabiola Orquera
10. 'Put My Name Down': U.S. Communism and Peace Songs in the Early Cold War Years, Robbie Lieberman
11. Music, the Political Score and Communism in Australia: 1945-1968, Anthony Ashbolt and Glenn Mitchell
12. 'In onore della Resistenza': Mario Zafred and Symphonic Neo-Realism, Ben Earle
III. From 1960
13. Key Questions of Antagonist Music Making: A View From Italy, Gianmario Borio
14. Black, White and Red: Communism and Anti-Colonialism in Alan Bush's The Sugar Reapers, Joanna Bullivant
15. The Black Panther Party: Three Moments of Music, Eamonn Kelly
16. Music, the Fete de l'Humanite, and Demographic Change in Post-War France, Eric Drott
17. New 'Old Leftist' Aesthetics in the West German Contemporary Music Scene: The Cantata Streik bei Mannesmann (1973), Beate Kutschke
18. Rocking Against Racism: Trotskyism, Communism, and Punk in Britain, Jeremy Tranmer
19. Class Love and the Unfinished Transformation of Social Hierarchy in Nepali Communist Songs, Anna Stirr