Poetry and the Language of Oppression

Essays on Politics and Poetics

Carmen Bugan

Offers an autobiographical, practicing poet's perspective on writing about Cold War government surveillance and political oppression
Discusses the process of "writing oneself free" by adopting a second language and makes the case for the necessity of individual, personal testimony in literature
Contributes an understanding of the language of oppression, and the concepts of freedom and liberty of the individual in a conflict-riven society
Widens considerations on freedom and the individual by studying the ideas of Jean Jacques Rousseau, John Stuart Mill, and Isaiah Berlin, and engages with poetics of Aristotle, Dante, and Matthew Arnold
Examines contemporary poets and writers such as George Szirtes, Carolyn Forché, Meena Alexander, and Wole Soyinka, among others

Poetry and the Language of Oppression

Essays on Politics and Poetics

Carmen Bugan

Description

A first-hand account of the creative process that engages with the language of oppression and with politics in our time.

How does the poet become attuned to the language of the world's upheaval? How does one talk insightfully about suffering, without creating more of it? What is freedom in language and how does the poet who has endured political oppression write himself or herself free? What is literary testimony?

Poetry and the Language of Oppression is a consideration of the creative process that rests on the conviction that poetry is of help in moments of public duress, providing an illumination of life and a healing language. Oppression, repression, expression, as well as their tools (prison, surveillance, gestures in language) have been with us in various forms throughout history, and this volume represents a particular aspect of these conditions of our humanity as they play out in our time, providing another instance of the communion, and sometimes confrontation, with the language that makes us human.

Poetry and the Language of Oppression

Essays on Politics and Poetics

Carmen Bugan

Preface
Introduction: "Visiting the Country of My Birth"
1. Sounding the Deeps of Nature: Lyric Language and the Language of Oppression
2. The "lyric I": Private and Public Narratives
3. Resettling in the English Language
4. Artistic Distance and the Language of Oppression
5. Writing in Turbulent Times
Conclusion: Lumina Mea

Poetry and the Language of Oppression

Essays on Politics and Poetics

Carmen Bugan

Author Information

Carmen Bugan, Independent writer and scholar

Carmen Bugan, George Orwell Prize Fellow, is the author of four poetry collections, most recently Lilies from America: New and Selected Poems (a PBS Special Commendation), a memoir, Burying the Typewriter: Childhood Under the Eye of the Secret Police (a BBC Radio 4 Book of the Week) and a monograph on Seamus Heaney and East European Poetry in Translation: Poetics of Exile. She was the 2018 Helen DeRoy Professor in Honors at the University of Michigan, a Chargée de Cours at the Université de Fribourg in Switzerland, and taught in the Continuing Education department at the University of Oxford, while she was a Creative Arts Fellow in Literature at Wolfson College. She has a doctorate in English literature from Balliol College, Oxford. She currently teaches at the Gotham Writers' Workshop in Manhattan.

Poetry and the Language of Oppression

Essays on Politics and Poetics

Carmen Bugan

Reviews and Awards

"Poetry and the Language of Oppression probes the delicate interface between realities that bind and words that free. We follow Bugan from Communist Romania where she discovers the tensions of writing under political oppression, to the US, Britain, France, and back to the US, where she becomes an accomplished public voice speaking for poems as meeting places of hope and marvel in uncertain times. Like the poets from whom she draws strength, among them Czeslaw Milosz, Seamus Heaney, and Pablo Neruda, Bugan believes passionately that poets can contribute to history by telling the truth and speaking 'heart to heart' about political discontent. Poetry and the Language of Oppression testifies to the vital work that poetry does in our lives, by healing division and imagining new spaces of freedom. This is a deeply moving and convincing book." -- Elleke Boehmer, Professor of World Literature in English, University of Oxford

"Bugan has written a deeply personal account of her travels across the languages of poetry and oppression. These two languages, she argues with admirable clarity, are not isolated from one another; they are often co-present, compelling us to come to terms with the fragility of poetry. Bugan's own poems scattered across the pages are a gift, as are her reflections on Whitman, Mandelstam, Milosz, Wole Soyinka, and so many others." -- Galin Tihanov, George Steiner Professor of Comparative Literature , Queen Mary University of London

Poetry and the Language of Oppression

Essays on Politics and Poetics

Carmen Bugan

From Our Blog

Lyricism as activism: Sigurd Olson and The Singing Wilderness

Placing the reader in the poetic and ethical space is the first step toward direct action that affects the larger human community: a step toward activism. Activism formalizes the values that inspire and ultimately direct our will'and action'to preserve and protect. By opening new worlds, other spaces, and creating experiences for the reader'and, crucially, letting the reader explore those worlds for herself or for himself'the lyric writer has an opportunity to create a protected zone for significant communication.

Posted on May 4, 2021

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