Table of Contents
Introduction, Nicholas Kenyon
Performing the Music
1. Original sets of parts for Restoration Concerted Music at Oxford, Peter Holman
2. The English organ in Purcell's lifetime, Dominic Gwynne
3. Violin making in England in the age of Purcell, John Dilworth
4. Performing Mr Purcell's "Exotick" trumpet notes, Peter Downey
5. The first performance of Purcell's Funeral Music for Queen Mary, Bruce Wood
6. Ornamentation in the keyboard music of Henry Purcell and his contemporaries, H. Diack Johnstone
7. Purcell's stage singers, Olive Baldwin and Thelma Wilson
8. Voice ranges, voice types and pitch in Purcell's concerted works, Timothy Morris
Staging the Operas
9. Purcell debauch'd; the dramatick operas in performance, Michael Burden
10. Performance and political allegory: what to interpret and when on the Restoration stage, Andrew Walking
11. Dancing and dance music in Purcell's operas, Richard Semmens
12. Of Costume and Etiquette: staging in the time of Purcell, Ruth Eva Ronen
13. Calling up Genius: Purcell, Roger North and Charlotte Butler, Roger Savage
14. Purcell's Dioclesian on the Dorset Garden stage, Julia and Frans Muller
15. Trembleurs and Cold People: how should they shiver?, Lionel Sawkins
Appendices
1. Original sets of parts of Restoration Concerted Music at Oxford: a preliminary catalogue, Peter Holman
2. English viol and violin makers working in London in the period 1650-1700, John Dilworth
3. Purcell's stage singers: a documentary list, Olive Baldwin and Thelma Wilson
4. Forces and vocal ranges in Purcell's concerted works, Timothy Morris
5. Dances and Purcell's operas 1689-1692 for which music is known, Richard Semmens