Introduction
Performance: Explorations
1. Generic Boundaries in Late Fifth-Century Athens, Helene Foley
2. Audience and Emotion in the Reception of Greek Drama, Ian Ruffell
3. Greek Middle-Brow Drama (Something to do with Aphrodite?), Mark Griffith
4. Costing the Dionysia, Peter Wilson
5. Nothing to do with Demeter? Something to do with Sicily! Theatre and Society in the Early Fifth-Century West, Barbara Kowalzig
Performance: Epic
6. The Odyssey as Performance Poetry, Oswyn Murray
7. Performance and Rivalry: Homer, Odysseus, and Hesiod, Adrian Kelly
8. Performing the Will of Zeus: The Dios boule and the Scope of Early Greek Epic, William Allan
Performance: Tragedy
9. Theatrical Furies: Thoughts on Eumenides, Pat Easterling
10. Aeschylus' Eumenides, Chronotopes, and the `Aetiological Mode', Martin Revermann
11. Star Choruses: Eleusis, Orphism, and New Musical Imagery and Dance, Eric Csapo
12. The Last Word: Ritual, Power, and Performance in Euripides' Hiketides, Athena Kavoulaki
13. Intimate Relations: Children, Childbearing, and Parentage on the Euripidean Stage, Froma I. Zeitlin
14. Character and Characterization in Greek Tragedy, Bernd Seidensticker
Performance: Comedy
15. Scenes at the Door in Aristophanic Comedy, Peter Brown
16. The Poetics of the Mask in Old Comedy, David Wiles
Performance: Iconography
17. Putting Performance into Focus, Robin Osborne
18. The Greek Gem: A Token of Recognition, Alfonso Moreno
19. Image and Representation in the Pottery of Magna Graecia, François Lissarague
Performance: Reception
20. Wagner's Greeks: The Politics of Hellenism, Simon Goldhill
21. Resurrecting Ancient Greece in Nazi German: The Oresteia as Part of the Olympic Games in 1936, Erika Fischer-Lichte
22. Can the Odyssey ever be Tragic? Historical Perspectives on the Theatrical Realization of Greek Epic, Edith Hall
23. An Oedipus for our Times? Yeats's Version of Sophocles' Oedipus Tyrannos, Fiona Macintosh