Painting in Britain 1500-1630
Production, Influences, and Patronage
Edited by Tarnya Cooper, Aviva Bunstock, Maurice Howard, and Edward Town
A British Academy Publication
Author Information
Tarnya Cooper, Chief Curator, National Portrait Gallery, London,Aviva Bunstock, Head of the Dept of Conservation & Technology, Courtauld Institute of Art, London,Maurice Howard, Professor of History of Art, University of Sussex,Edward Town, Postdoctoral Research Associate, Yale Center for British Art
Contributors:
Rachel Billinge/research associate, National Gallery, London
Charlotte Bolland/project curator, National Portrait Gallery, London
Susan Bracken/ lecturer in history of art at the Victoria & Albert Museum, London, and Birkbeck College, University of London
Aviva Burnstock/ Head of the Department of Conservation & Technology at the Courtauld Institute of Art, London
Victoria Button/ Senior Paper Conservator at the Victoria & Albert Museum, London
Katherine Coombs/Curator of Paintings at the Victoria & Albert Museum, London
Catherine Daunt/formerly Assistant Curator at the National Portrait Gallery, London
Alan Derbyshire/Head of Paper, Books and Paintings Conservation at the Victoria and Albert Museum, London
Susan Foister /Deputy Director and Director of Public Engagement at the National Gallery, London
Elizabeth Goldring/Associate Fellow of the Centre for the Study of the Renaissance, University of Warwick
Suzan de Groot/Cultural Heritage Agency of the Netherlands, Movable Heritage Department
Karen Hearn FSA/Honorary Professor at University College London, former Curator of 16th and 17th Century British Art at Tate Britain
Frederick Hepburn FSA/independent scholar
Catharine MacLeod/Curator of Seventeenth-century Portraits at the National Portrait Gallery, London
Sophie Plender/painting conservator
Caroline Rae/PhD student at the Courtauld Institute of Art and the National Portrait Gallery, London
Marie Louise Sauerberg/conservator, Westminster Abbey
David A. H. B. Taylor/Curator of Pictures and Sculpture at the National Trust
Robert Tittler FSA, FRHistS/Distinguished Professor of History Emeritus, Concordia University, Montreal, and Adjunct Professor of Art History, Carleton University, Ottawa
Edward Town/Postdoctoral Research Assistant at the Yale Center for British Art
Ian Tyers/dendochronologist
Klaas Jan van den Berg/senior conservation scientists at the Cultural Heritage Agency of the Netherlands
Hope Walker/independent art historian
