Music and the Broadcast Experience
Performance, Production, and Audiences
Christina Baade and James A. Deaville
Author Information
Christina Baade is Associate Professor of Communication Studies and Music at McMaster University and author of Victory Through Harmony: The BBC and Popular Music in World War II (OUP 2012).
James A. Deaville is Professor of Music at Carleton University and editor of Music in Television: Channels of Listening (2011).
Contributors:
Rika Asai is an instructor in music at UtahState Univerity. She received her Ph.D. in musicology from Indiana University, with a dissertation entitled "The Josef Bonime Collection of Radio Music: Music and Advertising in the Golden Age of Radio.¨Her research interests center on music in media including radio, television, and film, and the culture of advertising.
Christina Baade is associate professor in the Department of Communication Studies and Multimedia at McMaster University in Hamilton, Ontario, where she also holds the title of University Scholar (2015-19). She has investigated the intersections of radio, musicking, and cultural meaning in a range of publications, including her award-winning book, Victory Through Harmony: The BBC and Popular Music in World War II (Oxford, 2012).
Norma Coates is Associate Professor at Western University-Canada. Her research on popular music and identity, and popular music and television, is anthologized and taught internationally.
James Deaville is a professor in the School for Studies in Art & Culture: |Music of Carleton University, Ottawa. He is the editor of Music in Television: Channels of Listening (Routledge, 2011), and has published widely on television music, music in film trailers and newsreels, and 19th-century music.
Jenny Doctor is Director of the Belfer Audio Archive and Associate Professor at the Newhouse School of Public Communications at Syracuse University. She has published The BBC and Ultra-Modern Music, 1922-36 (1999), The Proms: A Social History, co-edited with David Wright and Nicholas Kenyon (2007), and has recently submitted Watching Jazz: Encounters with Jazz on Screen, co-edited with Björn Heile and Peter Elsdon (Oxford University Press).
Fabian Holt is Associate Professor at Roskilde University, where he teaches in the Department of Communication, Business, and Information Technologies. He is the author of Genre in Popular Music (University of Chicago Press, 2007) and is co-editor of The Oxford Handbook of Popular Music in the Nordic Countries (Oxford University Press, 2016).
Monique M. Ingalls is Assistant Professor of Music at Baylor University (Ph.D. University of Pennsylvania). Published in the fields of ethnomusicology, religious studies, and media studies, she is co-founder of the international Christian Congregational Music: Local and Global Perspectives conference and Series Editor for Ashgate's Congregational Music Studies Book Series.
Louis Niebur is Associate Professor of Music at the University of Nevada, Reno. His work traces the development of electronic music in Britain, primarily through the mediums of radio and television. His book, Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop was published in 2010 by Oxford University Press.
Christine Quail is an associate professor in the Department of Communication Studies and Multimedia at McMaster University. She has published in the areas of television studies, cultural studies, and the political economy of communication.
Ron Rodman is Dye Family Professor of Music at Carleton College in Northfield, Minnesota (U.S.A.). He is the author of Tuning In: Narrative American Television Music, published by Oxford University Press in 2010.
Alexander Russo is an Associate Professor in the Department of Media and Communication Studies at The Catholic University of America. He is the author of Points on the Dial: Golden Age Radio Beyond the Networks (Durham, NC: Duke University Press, 2010), as well as articles and book chapters on the technology and cultural form of radio and television, sound studies, the history of music and society, and media infrastructures.
Timothy D. Taylor is a professor in the UCLA Herb Alpert School of Music and the author of many books and articles, including Music and Capitalism: A History of the Present, recently published by the University of Chicago Press.
Shawn VanCour is Visiting Assistant Professor of Media, Culture, and Communication at New York University. His work explores the industrial and aesthetic foundations of U.S. radio and television, their relationships with neighboring sound and screen media, and their transformations in the digital era.
Tim Wall is Professor of Radio and Popular Music Studies at Birmingham City University. He researches into the production and consumption cultures around music and radio. His recent publications include Studying Popular Music Culture and articles on the transistor radio, listening, music on television, and The X Factor.
