"This comprehensive book about the life and music of the sadly neglected composer Marc Blitzstein is, as well, an invaluable guide to the workings of American arts during the composer's lifetime." --Edward Albee, playwright
"Marc Blitzstein was a friend, from the moment we first met in 1946 until he died eighteen years later. Now he lives again in Howard Pollack's pages. As a composer he was one of a kind, with his whistleable tunes encased in wise formality, and his bodily presence, so happy and so sad." --Ned Rorem, composer / author
"A timely and invaluable study of a composer we need to know more about. I marvel at Howard Pollack's capacity--as with his biographies of Copland and Gershwin--to digest and synthesize a wealth of information, copiously gathered." --Joseph Horowitz, author of Classical Music in America: A History
"A strong biography." Playbill
"A brilliantly researched new biography." --Jewish Daily Forward
"Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist." --Newreads
"Now, Pollack has made Blitzstein happen, just as he succeeded in his comprehensive studies of Gershwin and Copland." --Jewish Herald Voice
"[An] exceptionally researched, detailed, and important study of this fascinating, complex, and still relatively unknown composer who well deserves a book of this quality." --Notes
"In this comprehensive, sensitive, and beautifully written biography, Howard Pollack scrutinizes every part of Blitzstein's complex personal as well as public life, sustaining his well-deserved reputation as our foremost biographer of American classical composers." --Judith Tick, Matthews Distinguished University Professor, College of Arts, Media, and Design, Northeastern University
"Pollack has already told us everything we need to know about Copland and Gershwin. Now he scrutinises Blitzstein in the context of his entire cultural and political scene in fascinating and impeccably researched detail." --Peter Dickinson, Emeritus Professor of Keele and London Universities
"A thorough biography." --DC Theatre Scene
"Now, Pollack has made Blitzstein happen, just as he succeeded in his comprehensive studies of Gershwin and Copland". --Jewish Herald Voice 26 "Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist." Newreads
"The fluidity of prose, moving between established fact and new interviews and critical ideas, is remarkable, making for a book that is rivaled only by Pollack's biography of Aaron Copland...A momentous achievement indeed...Highly recommended." --Choice
"An eventful and rewarding voyage of immersion into the life and work of an important American composer." --New Music Connoisseur
"Especially valuable..." --Dance Chronicle
"Howard Pollack's new biography offers a veritable breath of fresh air, for it introduces clearly and exhaustively the multifaceted qualities of this enormously inventive and surprisingly prolific composer...With its detailed discussion of musical sketches and compositions, its insightful use of archival sources, its ethnographic approach based on new interviews with Blitzstein's friends and family, and its wonderfully selected collection of photographs, Pollack's biography significantly deepens our knowledge of a charismatic composer."--Journal of the Society for American Music
"Those interested in twentieth-century music, American music, musical theater, LGBTQ history, Jewish composers, music informed by considerations of politics including race, ethnicity, gender, and sexuality, and leftist musicians and artists are in Pollack's debt for this magnificent, richly detailed study. It will, I trust, prompt many more performances, critical editions of scores, and greater analytical engagement with Blitzstein's music, generating fresh views on a remarkable composer and person."--Journal of the American Musicological Society
