Locating the Voice in Film
Critical Approaches and Global Practices
Edited by Tom Whittaker and Sarah Wright
Table of Contents
Introduction: Tom Whittaker and Sarah Wright
1. Rey Chow, The Writing Voice in Cinema: A Preliminary Discussion, Rey Chow
2. Jennifer Fleeger, Tito Schipa, Italian Film Sound, and Opera's Legacy on Screen
3. Christine Ehrick, The Voice of Argentina: Gender, Humour and the National Soundscape in the Film Comedy of Niní Marshall
4. Pavitra Sundar, Gender, Bawdiness, and Bodily Voices: Bombay Cinema's Audiovisual Contract and the 'Ethnic' Woman
5. Colleen Montgomery, Double Doublage: Vocal Performance in the French Dubbed Versions of Pixar's Toy Story and Cars
6. Rayna Denison ,Anime's Star Voices: Voice Actor (Seiyu) Performance and Stardom in Japan
7. Tom Whittaker, Woody's Spanish "Double": Vocal Performance, Ventriloquism and the Sound of Dubbing
8. Tessa Dwyer, Mad Max, Accented English and Same-Language Dubbing
9. Catherine O'Rawe, Anna Magnani: Voice, Body, Accent
10. Lisa Shaw. Carmen Miranda's Voice in Hollywood
11. Nessa Johnston. "Feeling the Voice: Embodied Aural Encounters in Under the Bombs (Philippe Aractangi, 2007)
12. Alexander Fisher. Vocal Spaces and Oral Traces: Voice, Orality, and Ousmane Sembene's Early Postcolonial Critique
13. Negar Mottadeheh. Crude Extractions: The Voice in Iranian Cinema
14. Sarah Wright, "Spectral Voices and Resonant Bodies in Fernando Guzzoni's Dogflesh (Carne de perro, 2012)
15. Nikki J. Y. Lee and Julian Stringer, Snowpiercer: Sound Designable Voices and the South Korean Global Film
16. Albertine Fox, Performing Through Space: overflow, displacement, and the voice in Keep Your Right Up: A Place on Earth (Jean-Luc Godard, 1987)
17. Davina Quinlivan. A Dark and Shiny Place': the Disembodied Female Voice, Irigarayan Subjectivity and the 'Political Erotics' of Hearing Her (Spike Jonze, 2013)