James Watt (1736-1819)

Culture, Innovation and Enlightenment

Edited by Caroline Archer-Parré and Malcolm Dick

Liverpool University Press

Re-evaluates James Watt, his influence and on the occasion of the 200th anniversary of his death in 2019
Provides a series of essays by established and new scholars - both men and women - in Britain and overseas who are working at the forefront of Watt studies in the UK, North America, England and Scotland
The authors use the widely underused archival material in the James Watt Papers in the Library of Birmingham as well as primary material in London's Science Museum and Glasgow University
Gives particular attention to previously neglected themes, such as Watt's religious background, the participation of his family in the slave trade, the influence of his wives on his work and well-being and the nature of his political ideas
Provides a base upon which future scholarship can be built to explore the process of technological innovation, the connections between science and its social and intellectual context and how reputations are made and cemented

James Watt (1736-1819)

Culture, Innovation and Enlightenment

Edited by Caroline Archer-Parré and Malcolm Dick

Liverpool University Press

Description

James Watt (1736-1819) was a pivotal figure of the Industrial Revolution. His career as a scientific instrument maker, inventor and engineer was developed in Scotland, his land of birth. His subsequent national and international significance as a scientist, technologist and businessman was formed in the Birmingham area. There, his partnership with Matthew Boulton and the intellectual and personal support of other members of the Lunar Society network, such as Erasmus Darwin, James Keir, William Small and Josiah Wedgwood, enabled him to translate his improvements in steam technology into efficient machines. His pumping and rotative steam engines represent a summit of technological achievement in the late-eighteenth and early-nineteenth centuries. This is the traditional picture of James Watt. After his death, his surviving son, James Watt junior projected his father's image through commissioning sculptures, medals, paintings and biographies which celebrated his reputation as a 'great man' of the Industrial Revolution. In popular historical understanding Watt has also become a hero of modernity, but the context in which he operated and the roles of others in shaping his ideas have been downplayed. This book explores new aspects of his work and evaluates him in his locational, family, social and intellectual contexts.

James Watt (1736-1819)

Culture, Innovation and Enlightenment

Edited by Caroline Archer-Parré and Malcolm Dick

Liverpool University Press

Author Information

Caroline Archer-Parré is Professor of Typography at Birmingham City University, Director of the Centre for Printing History & Culture and Chairman of the Baskerville Society. She is the author of The Kynoch Press, 1876-1982: the anatomy of a printing house, (British Library, 2000); Paris Underground (MBP, 2004); and Tart cards: London's illicit advertising art (MBP, 2003). Caroline is currently Co-investigator on the AHRC-funded project, 'Letterpress Printing: past, present, future'.
Malcolm Dick is Director of the Centre for West Midlands History at the University of Birmingham. He directed two history projects in Birmingham between 2000 and 2004: the Millennibrum Project, which created a multi-media archive of post-1945 Birmingham history and Revolutionary Players which produced an online resource of the history of the West Midlands region. Malcolm has published books on Joseph Priestley, Matthew Boulton and the history of Birmingham and co-directs the Centre for Printing History & Culture.

James Watt (1736-1819)

Culture, Innovation and Enlightenment

Edited by Caroline Archer-Parré and Malcolm Dick

Liverpool University Press

Reviews and Awards

"High quality chapters, convincingly argued and clearly written, offering new insights into Watt's life and work.." Professor Christine MacLeod, University of Bristol

"Two pivotal chapters demonstrate the close and strategic attention that Watt paid to his extensive correspondence." Christine MacLeod, Midland History