In Search of the Black Fantastic

Politics and Popular Culture in the Post-Civil Rights Era

Richard Iton

Transgressing Boundaries: Studies in Black Politics and Black Communities

Clear and compelling exploration of the relationship between African American politics and popular culture from the 1920s to the present
Argues that black popular culture mobilized a variety of policy objectives, including the Civil Rights Movement and welfare policy
Will be of interest to fans of popular culture, as it discusses film, music and literature from Richard Wright to Spike Lee, Lorraine Hansberry, and Public Enemy in an accessible way

In Search of the Black Fantastic

Politics and Popular Culture in the Post-Civil Rights Era

Richard Iton

Transgressing Boundaries: Studies in Black Politics and Black Communities

Description

*Winner of the 2009 Ralph J. Bunche Award*

*Named one of CHOICE 's "Outstanding Academic Titles for 2009"*

Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change.

But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social spaces. Iton offers an original portrait of the relationship between popular culture and institutionalized politics tracing the connections between artists such as Paul Robeson, Lorraine Hansberry, Richard Pryor, Bob Marley and Erykah Badu and those individuals working in the protest, electoral, and policy making arenas. With an emphasis on questions of class, gender and sexuality-and diaspora and coloniality-the author also illustrates how creative artists destabilize modern notions of the proper location of politics, and politics itself.

Ranging from theatre to film, and comedy to literature and contemporary music, In Search of the Black Fantastic is an engaging and sophisticated examination of how black popular culture has challenged our understandings of the aesthetic and its relationship to politics.

In Search of the Black Fantastic

Politics and Popular Culture in the Post-Civil Rights Era

Richard Iton

Transgressing Boundaries: Studies in Black Politics and Black Communities

1.: Known Rivers / New Forms
2.: Remembering the Family: The Cold War and Black Cultural Politics
3.: Nation Time and the Black Ironic: Temporality and Its Discontents
4.: Let Them Only See Us: The Politics of Representation and the Black Superpublic
5.: Variations on the Solidarity Blues: Welfare Policy and the Low End Theory
6.: Round Trips on the Black Star Line: Making Foreign Policy in the American Century
7.: Not as Others: Colored Discourse and the Levittican Rhythm
8.: After the Dance: Adventures in Land of the Bittersweet
Notes
Acknowledgements
Index

In Search of the Black Fantastic

Politics and Popular Culture in the Post-Civil Rights Era

Richard Iton

Transgressing Boundaries: Studies in Black Politics and Black Communities

Author Information

Richard Iton, Associate Professor of Political Science, University of Toronto

Richard Iton is Associate Professor of Political Science at the University of Toronto. He is the winner of the 2009 Ralph Bunche Award for In Search of the Black Fantastic, and the 2001 Gustavus Myers Outstanding Book award and 2000 Best Book Award on the Social, Cultural, and Ideological Construction of Race from the American Political Science Association for Solidarity Blues: Race, Culture, and the American Left .

In Search of the Black Fantastic

Politics and Popular Culture in the Post-Civil Rights Era

Richard Iton

Transgressing Boundaries: Studies in Black Politics and Black Communities

Reviews and Awards

2009 CHOICE Outstanding Academic Titles
2009 Ralph Bunche Award

"A fascinating history and analysis of the nexus of black popular culture and activism from the Jazz Age to the hip-hop era...a timely reminder of the significant influence African American artists and entertainers have had on the political front—not necessarily in enacting laws, but in the symbolic impact of words and actions." - Los Angeles Times

"By interweaving many complex issues, In Search of the Black Fantastic moves across the disciplines with ease—politics, history, sociology, American studies, and African American studies—thereby representing one of the most thorough examinations of post-war black culture." - Political Science Quarterly

"Iton's work possesses the depth of wide reading in modernist theory and the breadth of wide-open eyes and ears for the popular... challenging, illuminating and groundbreaking. For both lay reader and academician, it may well 'compel a revision of our notions of the political." - Publishers Weekly

"A fresh, meticulously well researched study...The book is grounded in a solid historical base, surveying the dilemmas faced by black artists from the Cold War to the present...I strongly recommend In Search of the Black Fantastic to serious scholars of black literature and culture. By so perceptively engaging the relationship between popular art and the politics of marginalized people, it helps to clear the way to a truer, deeper understanding of an important subject which rarely gets such penetrating analysis." - African American Review

"Brimming with ideas... In Search of the Black Fantastic offers thought-provoking insights throughout its 400 pages and will certainly stimulate further work in numerous areas of African American history." - American Historical Review