INTRODUCTION
CHAPTER 1: RAW MATERIALS
Verité
Interviews
Archival
Reenactments and Animation
Voiceover Narration
Title Cards

CHAPTER 2: MEANING
Creating Meaning Within the Interview Frame
Creating Visual Uniformity with Interviews
Creating Meaning with Objects in the Frame
Creating Meaning with Words
Interview-As-Narration
Creating Meaning with Verité
Open vs. Closed Meanings

CHAPTER 3: NARRATIVE
The Setup
Position
The Crisis Moment
Producing the Narrative Turn
Producing the Narrative Turn with Juxtaposition
Micro-Narratives
Callbacks
Non-Narrative Documentaries

CHAPTER 4: PRESENCE FRAMING
Observational Framing
The Semi-Staged Scene
The Participatory Frame
Narration and the Participatory Frame
Voice of God Narration
Altering the Outcome
The Reflexive Frame

CHAPTER 5: FLOW
Unifying with Sound
Pivots and Pauses
Juxtaposition
Collective Memory
CHAPTER 6: TIME
The Experience of Time in Verité
The Interleaving of Scenes
Use of the Present Tense
CHAPTER 7: TITLES
Naming Characters
Conferring Legitimacy
Look and Feel
Subtitles
CHAPTER 8: ARCHIVAL
Archival Treatments
Manipulation of Newspaper Assets
Historical Shorthand

CHAPTER 9: SOUND
Sweetening
Foley
Time and Space
Framing Presence with Sound: The Cave & For Sama

CHAPTER 10: MUSIC
Fear of Music
Film vs. Television
Verité vs. Expository, Interviews vs. Archival
Tone
Procedural Music

CONCLUSION The Brave New World of Hybridity in Documentary
Acknowledgements
Appendix: List of Films and Television Shows Cited