"A compellingly written, powerfully argued, and wonderfully comprehensive study, this book is a tour-de-force of groundbreaking scholarship and incisive theoretical analysis." -- Celeste-Marie Bernier, First World War Studies
"The literature of American art history and popular culture is much enriched by Lubin's thoughtful work." -- Booklist
"David Lubin's Grand Illusions is an ingenious and precise barrage against the 'conventional art-historical wisdom' that the war had 'little effect on American art...Grand Illusions is an important work of cultural history and an exceptional study in the migration of images"-- Literary Review
"Lubin's work seems to all but beg to be made into a film series...With Lubin we face, through art, the responsibility for what we, as a society, have asked veterans to do. This is a powerful and pioneering work." -- H-Net Reviews
"[T]his book took me to places I'd never dreamed of...Grand Illusions is an impressively rich and rewarding read for anyone interested in the Great War and how it manifested in the rich world of art. A splendid book, indeed!" -- David F. Beer, WorldWarI.com
"David Lubin represents an important addition to the growing field of World War I scholarship, and is the first to exclusively focus on the impact of the war on American artists...Grand Illusions offers an eye-opening reconsideration of this understudied topic." -- Panorama: Journal of the Association of Historians of American Art
"Grand Illusions is a timely, entertaining and provocative invitation to explore and understand a rich but hitherto little-known corner of American art history."--Loyd Grossman, The Burlington Magazine
"Grand Illusions would be a valuable addition to any library with an interest in American art or popular culture, offering a stimulating narrative of World War I's lasting influence on visual culture. Lubin's inclusion of visual culture examples falling outside of the traditional fine arts makes this book particularly appealing and rich." -- ARLIS/NA Reviews
"...a sustained and meticulous examination of the various impulses that shaped the US's diverse visual promotion and interpretation of WW I. Focusing on the period from 1914-33, Lubin provides a comprehensive examination of almost every mode of visual representation--paintings, posters, sculpture, films, even animated films--and the men and women who created them...Noting racial, sexual, and gender themes, Lubin demonstrates a profoundly distinctive talent for establishing the historical context and the intellectual, political, and social antecedents of the works. Beautifully illustrated and including extensive chapter notes, the volume is encyclopedic in the scope of subjects and themes it examines in the pursuit of understanding the visual rhetoric that portrayed and supported the war. No student of the cultural, intellectual, and artistic history of WW I and its aftermath can ignore this perceptive, engaging analysis." -- CHOICE
"Grand Illusions is a remarkable work of scholarship and cultural criticism. The huge amount of material Lubin has gathered makes absolutely clear the widespread and profound effect World War I had on those who created masses of art about it. Considered as a whole, Grand Illusions may come close to being the definitive study of America's myriad 'Illusions' about the Great War. Many others have addressed the topic, but no one does it better than Lubin in this fine volume." -- Townsend Ludington, author of Marsden Hartley: The Biography of an American Artist
"What Paul Fussell's The Great War and Modern Memory did for literature, David Lubin's Grand Illusions does for the painting, photography, sculpture, and film inspired by the First World War. Astutely guiding his readers through the treacherous landscape where stubborn romantic myths befog the ghastly realities of modern warfare, Lubin powerfully demonstrates the Great War's lasting legacy in all the visual arts." -- David M. Kennedy, author of Over Here: The First World War and American Society
"A fascinating, richly illustrated examination of how this supposedly 'forgotten' war figured in the American imagination." -- David Reynolds, author of The Long Shadow: The Legacies of the Great War in the Twentieth Century
"The deep shadow the First World War cast on American painting, film, and letters is the subject of David M. Lubin's impressive book. Demolishing the outmoded idea that the war of 1914-18 vanished from the American scene after 1918, the author offers us a wide-ranging study of both the visible and the underground traces war leaves in its wake." -- Jay Winter, author of Sites of Memory, Sites of Mourning: The Great War in European Cultural History
"The most thoughtful and imaginative book ever written about the art of the First World War." -- Alexander Nemerov, author of Wartime Kiss: Visions of the Moment in the 1940s
