Tagore, Premchand, and Ray
Edited by Mohd Asaduddin and Anuradha Ghosh
Table of Contents
PART I: FICTION INTO FILM: THE PROCESS AND THE PRODUCT:
1. Meenakshi Mukherjee, 'His Films, Their Stories'
2. Vijaya Singh, 'Fiction to Film: A Brief History and a Framework for Film Adaptations'
3. Somdatta Mandal, 'Two Masters One Text: Satyajit Ray's Transcreation of Ghare Baire'
4. Anuradha Ghosh, 'Some Aspects of Inter-semiotic Translation: A Study of Satyajit Ray's Interpretation of Tagore'
5. Jayita Sengupta, 'Ray's Narrative Vision and Synaesthetic Appreciation of Tagore in Ghare Bairey'
PART II: TAGORE, RAY AND THEIR WOMEN:
6. Shohini Ghosh, 'Disobedient Women /Disobedient Detours'
7. Supriya Chaudhuri, 'Space, Interiority and Affect in Charulata and Ghare Baire'
8. Tutun Mukherjee, 'Tagore's Women Protagonists through Ray's Camera: Re-presenting the Shifting Concepts of History, Culture and Identity'
9. Asha Kuthari Chaudhuri, '"Thak" / Freeze-- Negotiating Narrative Positions in Adaptation: The Female in Tagore's "The Broken Nest" and Ray's Charulata'
10. Brinda Bose, 'From 'Noshto Nirh' to Charulata: Ray's Creation of an Audio-Visual 'Aura' for Tagore's Fiction'
11. Vishnupriya Sengupta, 'The Enigma of "Departure": A Re-interpretation of Rabindranath Tagore's "Noshto Neerh" and Satyajit Ray's Charulata'
PART III: PREMCHAND, RAY, AND THE GAME OF CHESS:
12. Frances W. Pritchett, '"The Chess Players": From Premchand to Satyajit Ray'
13. Jasbir Jain, 'Critiquing Colonialism through Cinematic Frames: Shatranj Ke Khilari and Ghare-Baire'
14. Shreya Bhattacharya, 'De-coding the Moves of Colonial Chess: Premchand/Satyajit Ray's Shatranj Ke Khiladi'
15. Tarini Pandey, 'Shatranj Ke Khiladi: The "Games" and their Repercussions'
16. Deepti Zutshi, 'From "Sadgati" to Sadgati: The Ideological Aspect of Satyajit Ray's Adaptation of Premchand'
List of Contributors