Film Studies
Critical Approaches
Edited by John Hill and Pamela Church Gibson
Advisory Board: Richard Dyer, E. Ann Kaplan, and Paul Willemen
Table of Contents
Introduction, John Hill
PART ONE. CRITICAL APPROACHES
1:Introduction to Film Studies, Richard Dyer
STUDYING THE FILM TEXT
2:The Film Text and Film Form, Robert Phillip Kolker
Readings:
Written on the Wind, Robin Wood
Citizen Kane, Peter Wollen
3:Film Acting, Paul McDonald
4:Film Costume, Pamela Church Gibson
5:Film Music, Claudia Gorbman
THE FILM TEXT: THEORETICAL DEVELOPMENTS
6:Classic Film Theory and Semiotics, Anthony Easthope
7:Formalism and Neo-formalism, Ian Christie
Reading: `Poetry and Prose in Cinema', Victor Schlovsky
8:Impressionism, Surrealism, and Film Theory, Robert B. Ray
9:Film and Psychoanalysis, Barbara Creed
10:Post-Structuralism and Deconstruction, Peter Brunette
11:Film and Postmodernism, John Hill
FILM TEXT AND CONTEXT: GENDER, IDEOLOGY, AND IDENTITIES
12:Marxism and Film, Chuck Kleinhans
Reading: `The Political Thriller Debate', John Hill
13:Feminism and Film, Patricia White
Readings:
Rebecca, Mary Anne Doane
Rebecca, Tania Modleski
14:Gay and Lesbian Criticism, Anneke Smelik
15:Queer Theory, Alexander Doty
16:Pornography, Laura Kipnis
17:Race, Ethnicity, and Film, Robyn Wiegman
18:Film and Cultural Identity, Rey Chow
FILM TEXT AND CONTEXT: CULTURE, HISTORY, AND RECEPTION
19:Film and History, Dudley Andrew
20:Sociology and Film, Andrew Tudor
21:Cultural Studies and Film, Graeme Turner
22:Film Audiences, Jostein Gripsrud
23:Hermeneutics, Reception Aesthetics, and Film Interpretation, Noel King