Expressiveness in music performance
Empirical approaches across styles and cultures
Edited by Dorottya Fabian, Renee Timmers, and Emery Schubert
Author Information
Dorottya Fabian, Associate Professor, Faculty of Arts and Social Sciences, University of New South Wales,Renee Timmers, Lecturer in Psychology of Music, Department of Music, University of Sheffield,Emery Schubert, Co-leader of the Empirical Musicology Group, Faculty of the Arts and Social Sciences, University of New South Wales
Contributors:
Elena Alessandri, Lucerne University of Applied sciences and Arts, Switzerland
Richard Ashley, Northwestern University, USA
William R. Bauer, Ph.D The College of Staten Island, USA
Erica Bisesi, Centre for Systematic Musicology - Karl-Franzens-Universität Graz, Austria
Eric Clarke, Oxford University, UK
Nicholas Cook, Faculty of Music, University of Cambridge, UK
Jane Davidson The University of Western Australia, Australia
Nicola Dibben, Sheffield University, UK
Simon Dixon, Queen Mary, University of London
Mark Doffman, Oxford University, UK
Mine Dogantan-Dack, Middlesex University, UK
Dorottya Fabian, School of Arts and Media, UNSW, Australia
Anders Friberg, KTH Royal Institute of Technology, Sweden
Werner Goebl, Institute of Musical Acoustics, University of Music and Performing Arts, Vienna, Austria
Peter Keller, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany
Daniel Leech-Wilkinson, King's College London, UK
Pärtel Lippus, Institute of Estonian and General Linguistics
Fabrice Marandola, McGill Unviersity, Canada
David Milsom, University of Huddersfield, UK
Neal Peres da Costa, Sydney Conservatorium of Music, Australia
Helen Prior, King's College London, UK
Jaan Ross, Estonian Academy of Music and Theatre, Estonia
Makiko Sadakata, Donders Insitute for Brain, Cognition and Behaviour, The Netherlands
Emery Schubert, School of Arts and Media, UNSW, Australia
Catherine Stevens, MARCS Institute, University of Western Sydney, Australia
Jonathan Stock, Department of Music, University College Cork, Ireland
Renée Timmers, The University of Sheffield, UK
Wim van der Meer, University of Amsterdam, The Netherlands
Aaron Williamon Centre for Performance Science Royal College of Music, UK
