Danzón
Circum-Caribbean Dialogues in Music and Dance
Alejandro L. Madrid and Robin D. Moore
Reviews and Awards
Winner of the Béla Bartók Award for Outstanding Ethnomusicology Book of the ASCAP Deems Taylor/Virgil Thomson Awards
Winner of the Robert M. Stevenson Award, American Musicological Society
"The book is arguably the most comprehensive study of danzón and will surely be of great help to future studies of Afro-Latin American music for many decades to come. It is also an excellent example of a combination of methods and analytical approaches in music studies, moving from historical sources to personal interviews, from printed books and articles to archives, from social phenomena to individual life histories, from ethnographic observations to discourse analysis, from musical sonorous experiences to choreographic analysis, from records to scores."--New West Indian Guide
"[It is] a difficult circumstance in which the researcher's role as a promotor of new ideas and historical accounts should speak respectfully and attentively to the ideas of a local identity and to the historic tradition that also forms part of this imagination that builds the genre [of academic texts]. This aspect is addressed and well channelled in this book."--Boletín Música
"Danzón is a timely addition to the scholarship on expressive culture...Written in a sophistticated and lucid manner and demonstrating remarkable acumen, this book will be of special value to scholars of expressive culture, transnationalism, and the politics of aesthetics, performance, and identity in the Americas."--Latin American Music Review
"Although its topic suggests a specialized audience, the book is accessible and addresses a wide range of topics that are of interest in such fields as cultural history, sociology, and Latin American studies in general as well as ethnomusicology. Madrid and Moore are to be commended for sure an excellent, informative contribution to the literature. Recommended."--Choice