Dante's British Public

Readers and Texts, from the Fourteenth Century to the Present

Nick Havely

The first account of Dante's reception in English to address the full chronological span of that process.
Based on wide range of unpublished archival material.
Explores a diversity of sources in various languages and cultural contexts.
Addresses a number of different disciplines and media.

Dante's British Public

Readers and Texts, from the Fourteenth Century to the Present

Nick Havely

Description

This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town.

Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.

Dante's British Public

Readers and Texts, from the Fourteenth Century to the Present

Nick Havely

Introduction
Prologue: A Wandering Comedy
1. Around Chaucer: Clerics, Comedy, and Monarchy
2. The 'Goodly Maker': Conscripting Dante in Henrician England
3. 'The Hungry Sheep': Protestant and Catholic Readings, 1556-1637
4. 'Few can understand him': Reputation, Ownership, Reading, c. 1600 - c. 1800
5. Expatriate Poetics: Foscolo and the British Public
6. Seeing the Seer: Victorian Visions
7. Dominions, Possessions, Dispersals: British Dantes Abroad, c. 1820 - 1882
8. Widening Circles, 1320-2013
Appendix 1: Chronology, c. 1320-2013
Appendix 2: New/ Old Dantes, c. 1600 - c. 1700
Bibliography

Dante's British Public

Readers and Texts, from the Fourteenth Century to the Present

Nick Havely

Author Information

Nick Havely, Emeritus Professor of English & Related Literature, University of York

Nick Havely is Emeritus Professor of English and Related Literature at the University of York, where he taught courses on Dante and medieval literature for over thirty years. His main research interests have been in Anglo-Italian contacts from the Middle Ages onwards, and his publications include Dante's Modern Afterlife (1998), Dante (Blackwell Guides to Literature) (2007) and Dante in the Long Nineteenth Century (2012). He has received research awards from the AHRB and the Leverhulme Trust, and his next project, supported by a fellowship from the Bogliasco Foundation, will be on travel and travellers in the Tuscan Apennines.