List of Contributors
List of Illustrations
Note on Nomenclature, spelling and texts
Introduction: Choral Fantasies
Scholarship
1. Theorising the Chorus in Greece, Anastasia-Erasmia Peponi
2. The Greek Chorus: Our German Eyes, Simon Goldhill
3. The Middle Voice: German Classical Scholarship and the Greek Tragic Chorus, Constanze Guthenke
4. Chorus, Song, and Anthropology, Ian Rutherford
Aesthetics
5. Greek Festival Choruses in and out of Context, Felix Budelmann
6. Seneca's Chorus of One, Helen Slaney
7. Something like the Choruses of the Ancients: the Coro Stabile and the Chorus in European Opera, 1598-1782, Roger Savage
8. An Alien Body? Choral Autonomy around 1800, Joshua Billings
9. Brechtian Chorality, Martin Revermann
Shadows
10. The Nostalgia of the Male Tragic Chorus, Sheila Murnaghan
11. A Senecan Theatre of Cruelty: Audience, Citizens, and Chorus in Late-Sixteenth and Early-Seventeenth-Century French Dramas, Christian Biet
12. Phantom Chorus: Missing Chorality on the French Eighteenth-Century Stage, Cecile Dudouyt
13. Sunk in the Mystic Abyss: The Choral Orchestra in Wagner's Music Dramas, Laurence Dreyfus
14. How do you solve a problem like the chorus? Hammerstein s Allegro and the Reception of the Greek Chorus on Broadway, Zachary Dunbar
Company
15. The Politics of the Mystic Chorus, Richard Seaford
16. Mob, Cabal, or Utopian Commune? The Political Contestation of the Ancient Chorus 1789-1917, Edith Hall
17. Choruses, Community, and the Corps de Ballet, Fiona Macintosh
18. Chorus and the Vaterland: Greek Tragedy and the Ideology of Choral Performance in Inter-War Germany, Eleftheria Ioannidou
19. Revivals of Choric Theatre as Utopian Visions, Erika Fischer-Lichte
20. Chorus in Contemporary British Theatre, Helen Eastman
Bibliography
Index