Sam Slote, Associate Professor, Trinity College Dublin,Marc A. Mamigonian, Director of Academic Affairs, National Association for Armenian Studies and Research,John Turner, Content Editor, Royal Bank of Canada

Like the eponymous Joyce scholar of the novel The Death of a Joyce Scholar, Sam Slote is a Professor at Trinity College Dublin and lives in Dublin. He is the author of Joyce's Nietzschean Ethics (Palgrave, 2013) and is the co-editor, with Luca Crispi, of How Joyce Wrote 'Finnegans Wake' (Wisconsin, 2007). In addition to Joyce and Beckett, he has written on Virginia Woolf, Vladimir Nabokov, Raymond Queneau, Antonin Artaud, Dante, Mallarmé, and Elvis.

Marc A. Mamigonian is the Director of Academic Affairs of the National Association for Armenian Studies and Research. He has served as the editor of the Journal of Armenian Studies and the volume The Armenians of New England (Armenian Heritage Press, 2004), and is the co-author of annotations to Joyce's Stephen Hero (James Joyce Quarterly, 40.3 [2003], with John Turner), A Portrait of the Artist as a Young Man (Alma Classics, 2014; with John N. Turner) and Ulysses (Alma Classics, 2015, with John Turner and Sam Slote). His work has appeared in the James Joyce Quarterly, Genocide Studies, International, Armenian Review, and the Journal of the Society for Armenian Studies, and elsewhere.

John Turner holds a Ph.D. in English from Brandeis University. His articles on Joyce have been published by the James Joyce Quarterly and Philosophy and Literature. Together with Marc A. Mamigonian, he is co-author of annotations to Stephen Hero and A Portrait of the Artist as a Young Man (Alma Classics, 2015). He works in communications in Boston, Mass.

"Among the flurry of publications celebrating the centenary of the publication of Joyce's classic novel, this massive, 1,420-page guide, though hardly portable, is an outstanding addition to the scholarship on Ulysses...This reviewer highly recommends the book to all libraries, but suggests a digital copy might be more convenient, given the size and weight of the book." -- W. Baker, CHOICE

"The range of cultural references, encompassing the gamut from popular forms like advertising and general knowledge to Irish history, religion, music and 'high-brow' literature, is as astonishing as the exactitude of urban details relating to Dublin's streets as they existed in 1904 and Annotations records them with intelligence and prudence." -- Sean Sheehan, Scottish Left Review

"comprehensive, incisive and indispensable" -- Colm Tóibín, The Irish Times, Best Books of 2022

"...monumental, exhaustive and thoroughly engrossing volume, edited by an unsurpassed team of scholars...a towering, epochal achievement..." -- Anne Fogarty, James Joyce Broadsheet

"...amongst the many virtues of this magisterial new panoply of annotations is its transparency and judiciousness. This is a volume that sets out its stall and clearly delineates the methods that it scrupulously and punctiliously follows. It does so, not in order to claim scholarly high ground, but rather to empower readers to license further commentaries in turn...Readers can retrace the steps of the annotators and chase up allusions for themselves. In this manner, the annotations do no foreclose or impede interpretation, but rather they are suggestively inviting while being honourably verifiable. Whole warrens of rabbit holes open up for the interested curious and distractable readers to disappear down. [Annotations} will prompt seasoned readers of Joyce in particular to revise numerous carelessly-held or even stubbornly-cherished assumptions." -- Anne Fogarty, James Joyce Broadsheet

"One of the best books ever devoted to the classic. This heroically researched [book] is twice as long as its subject text - and well worth it...here at last is a volume that not only explains places but directs the reader to hundreds of further sources. The result is a kind of short story behind most of the footnotes, of a kind which Joyce (I guess)would have approved...simply one of the best [books] ever devoted to Ulysses." -- Declan Kiberd, The Irish Times