1. Precursors, Precedents, Pretexts: the Institutions of Greco-Roman Theatre and the Development of European Opera, Roger Savage
2. Greek Tragedy and Opera: Notes on a Marriage Manque, Michele Napolitano
3. Incidental Music and the Revival of Greek Tragedy from the Italian Renaissance to German Romanticism, Jason Geary
4. Phaedra's Handmaiden: Tragedy as Comedy and Spectacle in Seventeenth-Century Opera, Wendy Heller
5. Dance in Lully's Alceste, Jennifer Thorp
6. The Ghost of Alcestis, Amy Wygant
7. The Rise and Fall of Andromache on the Operatic Stage, 1660s-1820s, Suzana Ograjensek
8. Opera Librettos and Greek Tragedy in Eighteenth-Century Venice: The Case of Agostino Piovene, Robert C. Ketterer
9. Ancient Tragedy in Opera, and the Operatic Debut of Oedipus the King (Munich, 1729), Reinhard Strohm
10. Establishing a text, securing a reputation: Metastasio's Use of Aristotle, Michael Burden
11. The Gods out of the Machine . . . and their Comeback, Bruno Forment
12. Who Killed Gluck?, Simon Goldhill
13. The Metamorphosis of a Greek Comedy and its Protagonist: Some Musical Versions of Aristophanes' Lysistrata, Simone Beta
14. Taneyev's Oresteia, Michael Ewans & Anastasia Belina
15. Crossings of Experimental Music and Greek Tragedy, Christian Wolff
16. The Action Drama and the Still Life: Enescu, Stravinsky, and Oedipus, Stephen Walsh
17. Sing Evohe! Three Twentieth-Century Operatic Versions of Euripides' Bacchae, Robert Cowan
18. Re-staging the Welttheater: A Critical View of Carl Orff's Antigonae and Oedipus der Tyrann, Nicholas Attfield
19. 'Batter the Doom Drum': The Music for Peter Hall's Oresteia and other Productions of Greek Tragedy by Harrison Birtwistle and Judith Weir, David Beard