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Cover

Music for Analysis

Examples from the Common Practice Period and the Twentieth Century

Seventh Edition

Thomas Benjamin, Michael Horvit, and Robert Nelson

Publication Date - November 2009

ISBN: 9780195379839

592 pages
Spiral Bound
8-1/2 x 11 inches

In Stock

Retail Price to Students: $96.95

The ONLY anthology that organizes a wide range of musical excerpts by harmonic topic AND includes complete pieces

Description

Offering 470 pieces of music from the Baroque period to the present, Music for Analysis: Examples from the Common Practice Period and the Twentieth Century, Seventh Edition, is the most comprehensive anthology of its kind.

FEATURES

* Provides 363 excerpts organized logically by harmonic content and 107 complete pieces; ideal for traditional form and analysis courses as well as tonal harmony courses
* Includes an audio CD of 145 examples from the text, played on the piano, harpsichord, or organ
* Integrates ten Model Analyses showing the detail expected at each level of study and reinforcing the goal of comprehensive analysis
* Guides study both within and outside of class, offering Suggestions for Discussion and Questions for Analysis throughout
* Features a detailed Index of Composers and Their Compositions and an Index of Complete Pieces

NEW TO THE SEVENTH EDITION

* Seven new Model Analyses (four chromatic tonal excerpts and three from the twentieth century)
* Two additional complete pieces (a four-movement Beethoven sonata and the prelude to Act I of Tristan und Isolde)
* A CD icon with track numbers appearing next to the 145 musical examples that can be found on the accompanying audio CD

About the Author(s)

Thomas Benjamin is Professor of Music Theory and Composition at the Peabody Conservatory of the Johns Hopkins University.

Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Previous Publication Date(s)

March 2006
November 2000
August 1995

Reviews

"Outstanding features include the number and variety of examples (in style, genre, and performance medium), their organization by topic, the CD, the Model Analyses, the complete pieces, and the analytical guidelines and questions. The new Model Analyses add more depth to the text and enable it to be used in a wider variety of class offerings. As an anthology that can be used for both harmony and form classes (or a combination thereof), this text can't be beat."--Ellon Carpenter, Arizona State University

"I have never seen an anthology that comes close to this one for extensiveness, playability, variety, and practicality for theory classes."--Robert Young McMahan, The College of New Jersey

Table of Contents

    * = Indicates new to this edition
    DR = Indicates inclusion on CD

    Each Part opens with Suggestions for Discussion

    CD Track List
    Preface
    Suggestions for Using This Book


    PART I: DIATONIC MATERIALS

    1) TONIC TRIAD
    Questions for Analysis
    1. HAYDN, Sonatina in G major, Hob. XVI: 8
    DR 2. CZERNY, Sonatina, op. 792, no. 8
    3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun
    4. BEETHOVEN, Leonora Overture No. 2, op. 72
    5. BEETHOVEN, Trio, op. 70, no. 2
    6. CHOPIN, Polens Grabgesang, op. 74
    DR 7. CHOPIN, Valse (Posthumous)
    8. BEETHOVEN, Symphony No. 5, op. 67
    9. COUPERIN, Carnival

    2) DOMINANT TRIAD IN ROOT POSITION
    Questions for Analysis
    DR 10. MOZART, Rondo
    DR 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival
    DR 12. BEETHOVEN, Für Elise
    13. SCHUMANN, Album for the Young, op. 68: Reiterstück
    14. WEBER, Euryanthe, op. 81: Overture
    15. BEETHOVEN, Symphony No. 5, op. 67

    3) DOMINANT SEVENTH AND NINTH IN ROOT POSITION
    Questions for Analysis
    Model Analysis
    DR 16. WEBER, German Dance
    DR 17. MOZART, Sonata, K. 332
    18. SCHUBERT, Wiegenlied, op. 98, no. 2
    19. VERDI, Rigoletto, Act I, no. 2
    DR 20. HAYDN, Sonata in E major, Hob. XVI: 13
    21. BEETHOVEN, Symphony No. 4, op. 60
    22. WEBER, Oberon: Overture
    DR 23. SCHUBERT, Ländler
    DR 24. SCHUBERT, Valses Nobles, op. 77
    25. MOZART, Valse

    4) SUBDOMINANT TRIAD IN ROOT POSITION
    Questions for Analysis
    DR 26. SCHEIDT, Bergamasca
    DR 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino
    DR 28. CHOPIN, Mazurka, op. 17, no. 1
    29. BEETHOVEN, Egmont Overture, op. 84
    30. VERDI, Rigoletto, Act I, no. 7
    DR 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899
    32. KERN, Look for the Silver Lining
    DR 33. BEETHOVEN, Seven Country Dances, no. 7
    DR 34. SCHUBERT, Ländler

    5) CADENTIAL TONIC SIX-FOUR CHORD
    Questions for Analysis
    DR 35. SCHUBERT, Valses Sentimentales, op. 50, no. 18
    36. CHOPIN, Mazurka, op. 24, no. 3
    37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6
    38. BEETHOVEN, Trio, op. 97

    6) TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION
    Questions for Analysis
    Model Analysis

    DR 39. BACH, Lobt Gott, ihr Christen, allzugleich
    40. MOZART, Bastien und Bastienne, K. 46B, no. 9
    DR 41. MOZART, Sonata, K. 332
    DR 42. HAYDN, Sonata in D major, Hob. XVI:37
    43. MOZART, Abendempfindung, K. 523
    44. BEETHOVEN, Symphony No. 5, op. 67
    45. BEETHOVEN, Fidelio, Act I, no. 9
    DR 46. MOZART, Sonata, K. 570
    47. MENDELSSOHN, Elijah, op. 70, no. 29
    DR 48. COUPERIN, Le Petit Rien
    49. DANDRIEU, Les Fifres

    7) SUPERTONIC TRIAD
    Questions for Analysis
    DR 50. ANONYMOUS, Dir, dir, Jehovah, will ich singen
    DR 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365
    DR 52. BEETHOVEN, Six Variations on "Nel cor più non mi sento"
    53. MOZART, Die Zauberflöte, K. 620, Act II, no. 21
    54. CHOPIN, Zwei Leichen
    55. BEETHOVEN, Trio, op. 121A
    56. VERDI, Rigoletto, Act II, no. 14
    DR 57. CHOPIN, Mazurka, op. 33, no. 2
    58. HAYDN, Sonata in E minor, Hob. XVI: 34

    8) INVERSIONS OF THE DOMINANT SEVENTH CHORD
    Questions for Analysis
    DR 59. J. C. F. BACH, Nun danket alle Gott
    DR 60. HAYDN, Sonata in C major, Hob. XVI: 35
    61. PAISIELLO, Le donne sur balcone
    62. MOZART, Quartet, K. 464
    DR 63. BEETHOVEN, Sonata, op. 31, no. 3
    64. RAMEAU, Sarabande I, vol. I
    65. HAYDN, Trio in C major, Hob. XV: 3
    DR 66. KUHLAU, Sonatina, op. 20, no. 1
    67. BEETHOVEN, Symphony No. 2, op. 36
    DR 68. BEETHOVEN, Minuet in C

    9) LINEAR (EMBELLISHING) SIX-FOUR CHORDS
    Questions for Analysis
    69. BEETHOVEN, Concerto No. 1 for Piano, op. 15
    DR 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779
    DR 71. MOZART, Rondo, K. 485
    72. HAYDN, Quartet, op. 3, no. 5
    DR 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365
    DR 74. KUHLAU, Sonatina, op. 88, no. 3
    75. MOZART, Symphony No. 35, K. 385
    DR 76. BEETHOVEN, Sonatina in G major
    77. BEETHOVEN, Symphony No. 7, op. 92
    78. MOZART, Symphony No. 41, K. 551
    DR 79. HAYDN, Sonata in D major, Hob. XVI: 37
    DR 80. BEETHOVEN, Contradanse
    81. BUXTEHUDE, Passacaglia
    82. BEETHOVEN, Symphony No. 3, op. 55
    83. GOUNOD, Faust, Act I, no. 6
    84. SULLIVAN, H.M.S. Pinafore,
    10) SUBMEDIANT AND MEDIANT TRIADS
    Questions for Analysis
    DR 85. CRÜGER, Herzliebster Jesu, was hast du verbrochen
    DR 86. ANONYMOUS, Dir, dir, Jehovah, will ich singen
    DR 87. BACH, Schmücke dich, o liebe Seele
    88. MOZART, Bastien und Bastienne, K. 46B, no. 1
    DR 89. MOZART, Sonata, K. 545
    90. HANDEL, Sonata in F for Flute and Continuo
    91. VERDI, Rigoletto, Act I, no. 1
    92. BRAHMS, Symphony No. 4, op. 98
    93. CORELLI, Sonata for Violin and Continuo, op. 5, no. 9
    94. SCHUBERT, Quartet in D major, D. 74
    95. BEETHOVEN, Trio, op. 1, no. 3
    DR 96. MOZART, Sonata, K. 283
    DR 97. J. C. F. BACH, Menuet
    98. TESSIER, Au joli bois je m'en vais
    99. STRAUSS, Der Rosenkavalier, Act III
    DR 100. BRAHMS, Romance, op. 118, no. 5
    DR 101. SCHUMANN, Phantasiestücke, op. 12, no. 4, Grillen
    102. SCHUBERT, Im Abendroth (Posthumous)
    103. SCHUBERT, Symphony in C major ("The Great")

    11) LEADING TONE TRIAD
    Questions for Analysis
    104. TESCHNER, Schatz über alle Schätze
    DR 105. BACH, Aus meines Herzens Grunde
    DR 106. SCHUMANN, Album for the Young, op. 68: Soldatenmarsch
    107. HANDEL, Courante
    DR 108. HAYDN, Sonata in E major, Hob. XVI: 49
    DR 109. HAYDN, Sonatina in D major, Hob. XVI: 4
    DR 110. MOZART, Sonata, K. 280
    111. DAQUIN, La Joyeuse

    12) VARIANT QUALITIES OF DIATONIC TRIADS
    Questions for Analysis
    Scalar Variants in Minor
    112. BACH, Herr, ich habe mibgehandelt
    113. PACHELBEL, Chaconne
    114. TELEMANN, Fantasie No. 8
    115. BYRD, Pavana "The Earle of Salisbury"
    DR 116. A. SCARLATTI, Folia
    DR 117. MATTHESON, Minuet
    DR 118. MOZART, Sonata, K. 310
    Modal Borrowing
    119. VERDI, La Traviata, Act I, no. 4
    120. DONIZETTI, Linda di Chamounix, 121. MOZART, Sonata for Violin and Piano, K. 306
    DR 122. HAYDN, Sonatina in C major, Hob. XVI: 7
    123. SCHUBERT, Aufenthalt
    124. SCHUBERT, Der Wanderer
    125. BRAHMS, Symphony No. 3, op. 90
    126. VERDI, Il Trovatore, Act II, no. 11
    127. BEETHOVEN, Symphony No. 5, op. 67
    128. BRAHMS, Symphony No. 4, op. 98

    13) SUPERTONIC SEVENTH CHORD
    Questions for Analysis
    DR 129. ANONYMOUS, Herr, wie du willst, so schick's mit mir
    130. BACH, Straf' mich nicht in deinem Zorn
    131. HAYDN, Sonata in A major, Hob. XVI: 46
    DR 132. GRIEG, Voegtersang
    133. BEETHOVEN, Symphony No. 6, op. 68
    134. SCHUBERT, Quartet, op. 168, D. 112
    DR 135. MOZART, Sonata, K. 310
    136. SCHUBERT, Ständchen
    137. BEETHOVEN, Symphony No. 2, op. 36
    DR 138. BEETHOVEN, Sonata, op. 14, no. 2
    139. BEETHOVEN, Symphony No. 6, op. 68
    140. BIZET, Carmen, Act II: Entr'acte
    141. RODGERS, Blue Moon

    14) LEADING TONE SEVENTH CHORD
    Questions for Analysis
    142. DVORAK, Quartet, op. 96
    DR 143. MOZART, Sonata, K. 457
    DR 144. SCHUMANN, Carnaval, op. 9: Chiarina
    DR 145. BRAHMS, Ballade, op. 10, no. 4
    146. HANDEL, Sonata for Flute and Continuo
    DR 147. HAYDN (?), Allegro
    148. HAYDN, Trio in G major, Hob. XV: 25
    149. MOZART, Requiem, K. 626: Offertorium
    DR 150. HAYDN, Sonatina in G major, Hob. XVI: 11
    151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction
    152. WAGNER, Das Rheinghold, Scene 1
    153. GLUCK, Orphée, Act I, no. 1
    154. HANDEL, Aria con Variazioni, Leçon No. 1 98 155. TELEMANN, Fantasia, 1er Dozzina, no. 5
    156. MOZART, Sonata for Violin and Piano, K. 306

    15) OTHER DIATONIC SEVENTH CHORDS
    Questions for Analysis
    DR 157. BACH, O Ewigkeit, du Donnerwort
    158. MOZART, Rondo. K. 494
    DR 159. MENDELSSOHN, Kinderstück, op. 72, no. 1
    160. PACHELBEL, Fantasie
    161. HANDEL, Sonata for Flute and Continuo
    162. HANDEL, Leçon No. 2, Menuet
    163. TCHAIKOVSKY, Symphony No. 4, op. 36
    DR 164. BACH, French Suite in D minor

    16) COMPLETE PIECES FOR ANALYSIS I
    Questions for Analysis
    DR 165. BEETHOVEN, Minuet
    DR 166. SCHUBERT, Dance
    DR 167. SCHUBERT, German Dance, op. 33, no. 12
    DR 168. BEETHOVEN, Scottish Dance
    169. PURCELL, Rigadoon
    170. RAMEAU, Minuet
    DR 171. WITT, Passacaglia
    172. GRIEG, Norsk

    PART II: CHROMATIC MATERIALS

    17) SECONDARY (APPLIED, BORROWED) DOMINANTS

    Questions for Analysis
    Model Analysis

    173. BEETHOVEN, Trio, op. 1, no. 1
    174. MOZART, Sonata, K. 281
    DR 175. SCHUBERT, Impromptu, op. 142, no. 3
    176. HAYDN, Trio in D major
    DR 177. BEETHOVEN, Sonatina in G major
    178. WEBER, Oberon: Overture
    179. BEETHOVEN, Trio, op. 1, no. 1
    DR 180. SCHUMANN, Sonata, op. 118c., Andante
    181. BEETHOVEN, Symphony No. 1, op. 21
    DR 182. HANDEL, Suite XI
    183. SCHUMANN, Arabeske, op. 18
    184. BEETHOVEN, Symphony No. 4, op. 60
    185. SCHUMANN, Widmung, op. 25, no. 1
    186. SCHUBERT, Symphony No. 8 ("Unfinished")
    187. SCHUMANN, Sonata, op. 118c126 ., Puppenwiegenlied
    188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667
    189. BEETHOVEN, Quintet, op. 29
    190. BEETHOVEN, Trio, op. 11
    191. VERDI, Rigoletto, Act II, no. 7
    192. HANDEL, Suite XVI
    DR 193. BEETHOVEN, Sonata, op. 53
    194. SCHUBERT, Symphony in C major (195. BEETHOVEN, Trio, op. 1, no. 3
    196. SCHUBERT, Mass in E major: Benedictus
    197. MENDELSSOHN, Midsummer Night's Dream, op. 61: Wedding March
    198. VERDI, Rigoletto, Act II, no. 14
    199. BACH, Christmas Oratorio, no. 4: Introduction
    200. HANDEL, Sonata VII for Flute and Continuo
    DR 201. CHOPIN, Mazurka, op. 67, no. 2
    DR 202. CHOPIN, Valse, op. 69, no. 1
    DR 203. CHOPIN, Valse Brillante, op. 34, no. 3
    204. GERSHWIN, Someone to Watch Over Me
    DR 205. TCHAIKOVSKY, Morning Prayer

    18) MODULATION TO CLOSELY RELATED KEYS
    Questions for Analysis
    Modulation to Dominant
    206. MOZART, Symphony No. 39, K. 543
    DR 207. MOZART, Sonata, K. 331
    208. BEETHOVEN, Symphony No. 2, op. 36
    DR 209. HAYDN, Minuet
    210. SCHUBERT, Quartet, D. 173
    DR 211. HAYDN, Sonata in C minor, Hob. XVI: 36
    212. MOZART, Symphony No. 41, K. 551
    DR 213. CHOPIN, Mazurka, op. 7, no. 2
    DR 214. HAYDN, Sonata in G major, Hob. XVI: 39
    DR 215. MOZART, Sonata, K. 282, Menuet I
    216. SCHUBERT, Quartet, D. 173
    Modulation to Relative Major
    217. HAYDN, Trio in F minor, Hob. XV: 26
    DR 218. HAYDN, Sonata in E minor, Hob. XVI: 34
    DR 219. MOZART, Sonata, K. 330
    220. DONIZETTI, Lucia di Lammermoor, Act I, Cavatina
    221. BRAHMS, Quintet, op. 115
    222. BEETHOVEN, Symphony No. 7, op. 92
    223. HAYDN, Symphony No. 104, Hob. I: 104
    Modulation to other Closely Related Keys
    DR 224. HAYDN, Sonatina, Hob. XVI: 1
    225. BONONCINI, Deh più a me non vàscondete
    226. SAINT-SAËNS, Carneval des Animaux: Le Cygne
    DR 227. BRAHMS, Waltz, op. 39, no. 15
    228. BEETHOVEN, Quartet, op. 18, no. 2
    229. PURCELL, Dido and Aeneas, Act I, scene I
    DR 230. BACH, French Suite in C Minor

    19) COMPLETE PIECES FOR ANALYSIS II
    Checklist for Analysis
    DR 231. BACH, Wachet auf, ruft uns die Stimme
    DR 232. BACH, In dulci jubilo
    233. BACH, Christ lag in Todesbanden
    DR 234. HANDEL, Menuet
    DR 235. BEETHOVEN, Sonata, op. 26
    236. SCHUMANN, Sonata, op. 118b., Abendlied 169
    DR 237. BRAHMS, Waltz, op. 39
    DR 238. HANDEL, Prelude
    DR 239. BEETHOVEN, Sonatina in F major
    240. HAYDN, Sonata in G major, Hob. XVI: 27
    * 241. GERSHWIN, I Got Rhythm

    20) LINEAR (EMBELLISHING) DIMINISHED SEVENTH CHORDS
    Questions for Analysis
    242. HAYDN, Symphony No. 104, Hob. I: 104, Menuet
    243. BEETHOVEN, Symphony No. 7, op. 92
    244. LISZT, Les Préludes
    DR 245. BEETHOVEN, Contradanse
    246. TCHAIKOVSKY, Symphony No. 6, op. 74
    247. BEETHOVEN, Quartet, op. 18, no. 3
    248. SCHUBERT, Sonata, op. 53
    249. GOUNOD, Faust, Act IV, no. 18
    DR 250. SCHUMANN, Carnaval, op. 9: Arlequin
    DR 251. MOZART, Waltz, K. 567
    252. WAGNER, Rienzi: Overture
    253. BELLINI, I Puritani, Act II, scene 3
    254. HAYDN, Symphony No. 104, Hob. I: 104
    255. RODGERS, The Girl Friend
    256. BRAHMS, Liebeslieder Walzer, op. 52, no. 4

    21) NEAPOLITAN TRIAD
    Questions for Analysis
    DR 257. MOZART, Concerto in A major, K. 488
    258. SCHUBERT, Der Müller und der Bach
    DR 259. BACH, Ach Gott, vom Himmel sieh' darein
    DR 260. BACH, Invention No. 13
    261. VERDI, Il Trovatore, Act II, no. 8
    DR 262. BRAHMS, Intermezzo in A major, op. 118, no. 2
    DR 263. CHOPIN, Prelude, op. 28, no. 20
    264. BEETHOVEN, String Quartet, op. 59, no. 2
    265. BRAHMS, Wie Melodien zieht es mir, op. 105
    266. BEETHOVEN, Quartet, op. 18, no. 3
    267. SCHUBERT, Mass in E major: Credo
    268. BACH, The Well-Tempered Clavier, Vol. II, Fugue 17
    DR 269. CHOPIN, Prelude, op. 28, no. 6

    22) AUGMENTED SIXTH CHORDS, SUBMEDIANT DEGREE AS LOWEST NOTE
    Questions for Analysis
    Model Analysis

    Italian
    270. BACH, Ich hab' mein' Sach' Gott heimgestellt
    DR 271. BEETHOVEN, Bagatelle, op. 119, no. 1
    272. BEETHOVEN, Coriolan Overture, op. 62
    DR 273. TCHAIKOVSKY, Mazurka
    274. SCHUBERT, Quartet, op. 168, D. 112
    275. BEETHOVEN, Symphony No. 1, op. 21
    German
    DR 276. MOZART, Sonata, K. 457
    DR 277. BEETHOVEN, Sonata, op. 109
    278. HAYDN, Trio, Hob. XV: 25
    DR 279. BEETHOVEN, Thirty-Two Variations, Var. 30
    280. SIBELIUS, Chanson Sans Paroles, op. 40, no. 2
    281. STRAUSS, Der Rosenkavalier, Act I
    French
    282. MENDELSSOHN, Elijah, op. 70, no. 1
    283. SCHUBERT, Mass in G major: Kyrie
    284. BACH, Wer nur den lieben Gott lät walten
    DR 285. SCHUBERT, Sonata, op. 42
    286. VERDI, La Traviata, Act III: Prelude
    287. SCHUBERT, Symphony in C major (DR 288. GRIEG, Alfedans, op. 12
    289. HERBERT, Gypsy Love Song
    Enharmonic German
    290. SCHUMANN, Dichterliebe, op. 48, no. 12:
    23) AUGUMENTED SIXTH CHORDS, OTHER SCALE DEGREES AS LOWEST NOTE
    Questions for Analysis
    DR 291. MOZART (?), Adagio
    DR 292. GRANADOS, Valses Poeticos
    293. SCHUBERT, Symphony No. 8 (294. MOUSSORGSKY, Songs and Dances of Death, no. 4
    295. GLUCK, Orphée, Act I, nos. 6 and 7

    24) AUGUMENTED SIXTH CHORDS, OTHER USES
    Questions for Analysis
    Linear
    296. VERDI, Rigoletto, Act I: Prelude
    DR 297. TCHAIKOVSKY, Song Without Words
    298. TCHAIKOVSKY, Romeo and Juliet
    DR 299. SCHUBERT, Waltz
    DR 300. BRAHMS, Intermezzo, op. 76, no. 4
    DR 301. TCHAIKOVSKY, The Witch
    Secondary
    DR 302. CHOPIN, Prelude, op. 28, no. 22
    303. SCHUBERT, Mass in G major: Benedictus
    304. SCHUBERT, Die Allmacht, op. 79, no. 2
    Altered Dominants
    305. SCHUBERT, Quintet, op. 163
    DR 306. LISZT, Liebestraum, no. 3
    307. RIMSKY-KORSAKOV, Snowmaiden, Chanson du Bonhomme Hiver
    DR 308. GRIEG, Solvejg's Lied

    25) OTHER MEANS OF MODULATION
    Questions for Analysis
    Model Analysis

    309. SCHUBERT, Mass in G major: Gloria
    310. BRAHMS, Wenn du nur zuweilen lächelst, op. 57, no. 2
    311. BEETHOVEN, Symphony No. 5, op. 67
    DR 312. SCHUBERT, Waltz, op. 9, no. 14, D. 365
    313. MOZART, Die Entführung aus dem Serail, K. 384, Act III, no. 18
    314. SCHUMANN, Symphony No. 2, op. 61
    315. BEETHOVEN, Symphony No. 7, op. 92
    316. HAYDN, String Quartet, op. 76, no. 6
    DR 317. BEETHOVEN, Sonata, op. 13
    318. BEETHOVEN, Trio, op. 70, no. 1
    DR 319. SCRIABIN, Prelude, op. 13, no. 3
    320. J. STRAUSS, Die Fledermaus: Overture
    321. BRAHMS, Wie bist du meine Königen, op. 32, no. 9
    322. SCHUBERT, Mass in A major: Agnus Dei
    323. BEETHOVEN, Trio, op. 11
    324. RACHMANINOFF, Melodie, op. 3, no. 3
    325. SCHUBERT, Symphony No. 8 (
    26) NINTH CHORDS
    Questions for Analysis
    Dominant Ninths
    DR 326. J. STRAUSS, Artist's Life Waltzes, op. 316, no. 3
    327. FRANCK, Sonata for Violin and Piano
    DR 328. BEETHOVEN, Andante
    DR 329. CHOPIN, Valse Brillante, op. 34, no. 1
    330. SCHUMANN, Waldesgespräch, op. 39, no. 3
    DR 331. CHOPIN, Prelude, op. 28, no. 15
    Secondary Dominant Ninths
    332. BACH, St. Matthew Passion, no. 78
    333. SCHUMANN, Genoveva, op. 81: Overture
    DR 334. GRIEG, Grandmother's Minuet, op. 68, no. 2
    DR 335. SCHUMANN, Kinderszenen, op. 15, no. 7: Träumerei
    Nondominant Ninths
    DR 336. GRIEG, Wedding Day at Troldhaugen, op. 65, no. 6
    337. MENDELSSOHN, Midsummer Night's Dream, op. 21: Overture
    338. FAURÉ, Après un Rêve

    27) EXTENDED LINEAR USAGES
    Questions for Analysis
    Model Analysis

    DR 339. CHOPIN, Mazurka, op. 6, no. 1
    340. BRAHMS, "Der Tod, das ist die kühle Nacht," op. 96, no. 1
    341. WEBER, Euryanthe: Overture
    DR 342. BRAHMS, Variations on a Theme by Handel, var. 20
    343. FRANCK, Symphony in D minor
    344. WAGNER, Lohengrin, Act I, scene 2
    345. WAGNER, Wotan's Farewell, Die Walküre, Act III
    DR 346. CHOPIN, Prelude, op. 28, no. 9
    347. BEETHOVEN, Quartet, op. 18, no. 6
    348. BACH, Ein' feste Burg ist unser Gott 336
    349. BACH, Es ist genug, so nimm, Herr 337

    28) COMPLETE PIECES FOR ANALYSIS III
    Checklist for Analysis
    350. MOZART, Minuet, K. 355
    351. SCHUMANN, Myrthen, op. 25, no. 24
    DR 352. MENDELSSOHN, Lieder ohne Wörte, op. 30, no. 3
    353. CHOPIN, Mazurka, Op. posth. 67, no. 2
    354. SCHUMANN, Phantasiestücke, op. 12, no. 3: Warum?
    DR 355. GRIEG, Erotikon
    DR 356. LISZT, Il pensieroso, from Années de Pèlerinage
    357. R. STRAUSS, Morgen, op. 27, no. 4
    358. WAGNER, Der Engel
    359. BEETHOVEN, Sieben Variationen: Über das Volkslied: God Save the King
    360. MOZART, Symphony No. 40, K. 550
    361. BEACH, Phantoms
    362. SCOTT JOPLIN, A Breeze from Alabama: March and Two-Step
    * 363. Wagner, Prelude to Act I from Tristan und Isolde
    364. MOZART, Sonata, K. 309
    I. Allegro con spirito
    II. Andante, un poco Adagio
    III. Allegretto grazioso
    * 365. Beethoven, Sonata, op. 2, no. 3

    29) EXAMPLES OF COUNTERPOINT
    Questions for Analysis
    366. BACH, Cantata No. 4: Sinfonia 338
    367. BACH, Chorale Prelude on "In Dulci Jubilo" 339
    368. BACH, Chorale Prelude on "Christ lag in Todesbanden" 342
    369. BRAHMS, Chorale Prelude on "O Wie selig seid ihr doch, ihr Fommen" 343
    370. PURCELL, "Thy hand Belinda", from Dido and Aeneas 345
    371. BACH, Invention No. 4, BWV 775 349
    372. BACH, Invention No. 13, BWV 775 351
    373. BACH, Sinfonia 3, BWV 789 352
    374. BACH, The Well-Tempered Clavier, Vol. I, Fugue 2 354
    375. BACH, The Well-Tempered Clavier, Vol. II, Fugue 9 357
    376. MENDELSSOHN, Fugue No. 2, op. 35

    PART III: CONTEMPORARY MATERIALS
    Model Analysis

    30) EXTENDED AND ALTERED TERTIAN HARMONY
    Questions for Analysis
    377. HANSON, Symphony No. 2, op. 30
    378. KABALEVSKY, Sonatina, op. 13
    379. HOVHANESS, Mysterious Mountain
    380. SHOSTAKOVICH, Prelude, op. 34, no. 24
    381. DEBUSSY, Pelléas et Méllisande, Act I, scene 1
    DR 382. SCRIABIN, Poem, op. 32, no. 2
    383. RAVEL, Valses Nobles et Sentimentales
    384. RODGERS, Slaughter on Tenth Avenue
    385. ELLINGTON, Prelude to a Kiss
    386. DUKE JORDAN, Jordu
    387. BERG, Four Songs, op. 2, no. 3
    * 388. RASKIN, Laura

    31) DIATONIC (CHURCH) MODES
    Questions for Analysis
    Model Analysis

    389. BARTOK, Little Pieces for Children, no. III
    390. CHÁVEZ, Ten Preludes, no. 1
    391. POULENC, Valse
    392. DEBUSSY, Trois Chansons, no. 1
    393. KABALEVSKY, Toccatina
    394. BRITTEN, Ceremony of Carols, no. 8
    395. DEBUSSY, Suite bergamasque, Passepied
    396. FLOYD, Susannah, Act II, scene 3
    397. STRAVINSKY, Five Fingers: Lento
    398. BARTOK, Fourteen Bagatelles, op. 6, no. 4
    399. CASELLA, Siciliana
    400. ADDERLEY, Work Song

    32) PANDIATONICISM AND ADDITIVE HARMONY
    Questions for Analysis
    401. RAVEL, Mother Goose Suite: The Magic Garden
    402. MILHAUD, Touches Blanches
    403. COWELL, The Irishman Dances
    404. COPLAND, The Young Pioneers
    405. BARBER, Excursions, III
    406. STRAVINSKY, Petroushka, Danse Russe
    407. POULENC, Gloria, Laudamus te

    33) EXOTIC (ARTIFICIAL, SYNTHETIC) SCALES
    Questions for Analysis
    408. MILHAUD, Touches Noires
    409. BARTOK, Mikrokosmos, no. 78: Five Tone Scale
    410. KODÁLY, Valsette
    411. VAUGHAN WILLIAMS, London Symphony
    DR 412. DEBUSSY, Préludes, II: Voiles
    413. BARTOK, Mikrokosmos, no. 136: Whole Tone Scale
    414. DEBUSSY, Pelléas et Mélisande, Act II, scene 1
    415. BARTOK, Fourteen Bagatelles, op. 6, no. 10
    416. LUTOSLAWSKI, Bucolic, no. 3
    417. BARTOK, Mikrokosmos, no. 101: Diminished Fifth
    418. BARTOK, Sketches, op. 9, no. 6
    419. BARTOK, Fourteen Bagatelles, op. 6, no. 6

    34) QUARTAL AND SECUNDAL HARMONY
    Questions for Analysis
    420. HINDEMITH, Mathis der Maler: Grablegung
    421. IVES, Majority
    422. KRENEK, Piano Piece, op. 39, no. 5
    423. HINDEMITH, Ludus Tonalis, Fuga secunda in G
    424. BARTOK, Concerto for Orchestra
    425. BERG, Wozzeck, Act II
    426. BARTOK, Mikrokosmos, no. 107: Melody in the Mist
    427. BERG, Wozzeck, Act II
    428. COWELL, Tiger
    429. IVES, Majority
    430. BRUBECK, Blue Rondo à la Turk

    35) POLYHARMONY AND POLYTONALITY
    Questions for Analysis
    431. HONEGGER, Symphony No. 5
    432. SCHUMAN, A Three-Score Set, II
    433. KRAFT, Allegro Giocoso
    434. STRAVINSKY, The Rake's Progress: Prelude
    435. STRAVINSKY, Petroushka, Scene 2
    436. MILHAUD, Saudades do Brazil, no 7: Corcovado
    437. BARTOK, Forty-Four Violin Duets, no. 33
    438. BRUBECK, Strange Meadowlark

    36) FREE ATONALITY
    Questions for Analysis
    439. SCHÖNBERG, Drei Klavierstücke, op. 11, no. 1
    440. SCHÖNBERG, Klavierstücke, op. 19, no. 2
    441. SCHÖNBERG, Pierrot Lunaire, op. 21, no. 1: Mondestrunken
    442. WEBERN, Five Movements for String Quartet, op. 5, no. 4
    443. BARTOK, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths
    444. BARTOK, Fourth String Quartet
    445. BERGER, Two Episodes, I

    37) TWELVE-TONE SERIALISM
    Questions for Analysis
    Model Analysis

    446. KRENEK, Dancing Toys, op. 83, no. 1
    447. SCHÖNBERG, Suite für Klavier, op. 25: Gavotte
    448. DALLAPICCOLA, Cinque Frammenti di Saffo
    449. WEBERN, Drei Lieder, op. 25, no. 1

    38) MUSIC SINCE 1945
    Questions for Analysis
    450. STOCKHAUSEN, Klavierstücke, no. 2
    451. LUTOSLAWSKI, String Quartet (1965)
    452. PENDERECKI, String Quartet, no. 2
    453. CRUMB, Madrigals, Book IV
    454. DRUCKMAN, Valentine, for solo contrabass
    455. ROUSE, Valentine
    456. HORNE, Six Short Studies, Sixteenth Notes

    39) COMPLETE PIECES FOR ANALYSIS IV
    Suggestion for Analysis
    457. RAVEL, Sonatine, Mouvt II
    DR 458. DEBUSSY, Pour le Piano: Sarabande
    DR 459. DEBUSSY, Préludes, X: La Cathédrale engloutie
    460. MILHAUD, Saudades do Brazil, No. 6: Gavea
    461. PROKOFIEV, Classical Symphony, op. 25
    462. PROKOFIEV, March from The Love of Three Oranges
    463. HINDEMITH, Ludus Tonalis, Fuga undecima in B (Canon)
    464. RUGGLES, Evocations, no. 1
    465. SCHÖNBERG, Suite für Klavier, op. 25: Menuett
    466. PORTER, Night and Day
    467. GERSHWIN, Porgy and Bess, "Summertime"
    468. STRAVINSKY, Sonata for Two Pianos, II: Theme with Variations
    469. HINDEMITH, Piano Sonata, No. 2
    470. MACMILLAN, Piano Sonata, I

    Appendix A. Checklist for Analysis and Sample Analysis
    Appendix B. For Further Reference
    Appendix C. Textbook Correlation Chart

    Index of Composers and Their Compositions
    Index of Complete Pieces