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Cover

Dada and Surrealism: A Very Short Introduction

David Hopkins

Publication Date - June 2004

ISBN: 9780192802545

208 pages
Paperback

Retail Price to Students: $11.95

Description

The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recently discovered examples in Eastern Europe.

Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.

Features

  • Discusses work by well-known artists such as Magritte, Dali, Duchamp, and Man Ray
  • Explores Dada and Surrealism's obsession with sexuality, fetishism, and shock tactics
  • Examines the many debates surrounding these movements, including the Marquis de Sade's position as a Surrealist deity, attitudes towards the city, the impact of Freud, and attitudes to women
  • Covers Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recently discovered examples in Eastern Europe

About the Author(s)

David Hopkins is Professor in the Department of Art History at the University of Glasgow. He is the author of the bestselling After Modern Art: 1945-2000 in the Oxford History of Art series.

Table of Contents

    1. Histories
    2. Geographies
    3. Art and Anti-Art
    4. Actions
    5. Politics
    6. Minds
    7. Bodies
    8. Endings