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CD Credits

Disc I

1  Anonymous: Epitaph of Seikilo
De Organographia
Courtesy of Pandourion Records

Psalm Verse Justus ut palma (Ps. 91, 12 in Four Liturgical Settings)


2 Anonymous: Antiphon to full psalm recitation (Commemoration of a Martyr Saint)
Quire Cleveland    
© Oxford University Press

3 Anonymous: Introit (Commemoration of a Saint Who Was a Confessor but Not a Bishop)
Quire Cleveland
© Oxford University Press

4  Anonymous: Offertory (Commemoration of a Church Doctor)
Quire Cleveland
© Oxford University Press

5 Anonymous: Alleluia (Commemoration of an Abbot)
Quire Cleveland

Two Graduals

6  Anonymous: Justus ut palma (Feast of St. John the Baptist)
Quire Cleveland
© Oxford University Press

7  Anonymous: Haec dies (Easter Sunday)
Quire Cleveland
© Oxford University Press

Frankish Chants for the Mass Ordinary


8 Kyrie IV
9 Cunctipotens Genitor Deus
10 Gloria IV
11 Credo I
12 Sanctus I
13 Agnus Dei II
Quire Cleveland
© Oxford University Press

Two Sequences in Modern Use


14 Anonymous: Victimae paschali laudes (Easter)
Quire Cleveland
© Oxford University Press

15 Anonymous: Dies irae dies illa (Mass for the Dead)
Quire Cleveland
© Oxford University Press

16  Hildegard of Bingen: Columba aspexit (Sequence for St. Maximinus)
Emma Kirkby, soprano; Gothic Voices; Christopher Page, conductor
(P) 1982 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

Three Frankish Hymns


17 Anonymous: Ave maris stella (Veneration of the Virgin Mary)
Quire Cleveland
© Oxford University Press

18 Anonymous: Pange lingua gloriosi (Feast of Corpus Christi)
Quire Cleveland
© Oxford University Press

19 Anonymous: Veni creator spiritus (Pentecost)
Quire Cleveland
© Oxford University Press

Two Tropes to the Easter Introit, Resurrexi et adhuc tecum sum


20 Anonymous: Ecce pater
Quire Cleveland
© Oxford University Press

21 Anonymous: Quem quaeritis in sepulchro
Quire Cleveland
© Oxford University Press

Two Marian Antiphons


22  Anonymous: Regina coeli, laetare
Quire Cleveland
© Oxford University Press

23 Anonymous: Salve regina
Quire Cleveland
© Oxford University Press

24 Bernart de Ventadorn: Can vei la lauzeta mover (“When I see the lark flutter his wings”)
Leigh Nixon, tenor
(P) 1990 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

25 Marcabru: L’autrier jost’ una sebissa (“The other day by a hedge row”)
Paul Hillier, Stephen Stubbs, Andrew Lawrence-King and Erin Headley
(P) 1989 ECM Records GmbH
Courtesy of ECM Records GmbH

26 La Comtessa de Dia: A chantar m’er de so qu’ieu non volria (“I must sing of that which I would rather not”)
Catherine Bott
(P) 1996 The Decca Record Company Ltd.
Courtesy of Decca Music Group, under license from Universal Music Enterprises

27 Richard Coeur-de-lion: Ja nun hons pris (“No captive can tell his story”)
Music Antiqua Consort - Serbia; Vera Zlokovich, director
(P) 2006 Meridian Records Ltd.
Courtesy of Meridian Records Ltd.

28 Moniot d'Arras: Ce fut en mai (“It was in May”)
Paul Hillier and Andrew Lawrence-King
(P) 1996 harmonia mundi s.a.
Courtesy of harmonia mundi usa

Adam de la Halle: Three Dances with Refrains


29 Je muir, je muir d’amorete (“I die, I die of love”), Rondeau
New Orleans Musica da Camera
(P) 2003 Centaur Records, Inc.
Courtesy of Centaur Records, Inc.

30 Dieus soit en cheste maison (“God, be in this house”), Ballade
Sequentia
(P) 1984 Sony Music Entertainment

31 Fines amouretes (“ I have many fine lovers”), Virelai
The Dufay Collective
(P) 1997 Chandos Records Ltd.
Courtesy of Chandos Records Ltd.

32 Anon: Jubilemus exultemus
Dominique Vellard and Emmanuel Bonnardot
(P)1990 Sony Music Entertainment

33 Anonymous: Ad superni Regis
Anonymous 4
(P) 1995 harmonia mundi s.a.
Courtesy of harmonia mundi usa

34 Leonin: Viderunt omnes
Red Byrd
(P) 1997 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

35 Perotin: Viderunt omnes
The Hilliard Ensemble; Paul Hillier, director
(P) 1989 ECM Records GmbH
Courtesy of ECM Records GmbH

36 Anonymous: Vetus abit littera
Orlando Consort
(P) 1992 Metronome Records Ltd.
Courtesy of Metronome Records Ltd.

37 Anonymous: Ex semine rosa/Ex semine Habrahe/EX SEMINE
Quire Cleveland
© Oxford University Press

38 Anonymous: L’autre jour/Au tens pascour/IN SECULUM
Ensemble Anonymus
(P) 2004 Analekta
Courtesy of Analekta

39 Anonymous: On parole/A Paris/FRESE NOUVELE
Dufay Collective
(P) 1997 Chandos Records Ltd.
Courtesy of Chandos Records Ltd.

40 Attributed to Philippe de Vitry: Tribum/Quoniam/MERITO
The Orlando Consort
(P) 2011 Qualiton Imports Ltd.
Courtesy of Qualiton Imports Ltd.

41 Guillaume de Machaut: Felix virgo/Inviolata/AD TE SUSPIRAMUS
Gothic Voices; Christopher Page, conductor
(P) 1987 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

Guillaume de Machaut: Three Virelais


42 Douce dame jolie (“Fair, sweet lady”)
Margaret Philpot, alto
(P) 1987 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

43 En mon cuer (“In My Heart”)
Blue Heron

44 Tres bonne et belle (“Very good and beautiful lady”)
Gothic Voices; Christopher Page, conductor
(P) 1992 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

45 Guillaume de Machaut: Rose, liz (“Rose, lily”)
Ensemble Project Ars Nova
(P) 1994 New Albion Records
Courtesy of New Albion Records

46 Guillaume de Machaut: Messe de Nostre Dame (Mass of Our Lady), Kyrie
The Hilliard Ensemble
(P) 1989 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

47 Solage: Fumeux fume (“A smoker smokes”)
Gothic Voices
(P) 2006 Avie Records
Courtesy of Avie Records

Jacopo da Bologna: Two settings of Osellecto selvaggio


48 Madrigal
Blue Heron

49 Caccia
La Reverdie
(P) 2005 Arcana
Courtesy of Arcana

50 Francesco Landini: Non avrà ma’ pietà (“My lady will never have pity on me”)
Anonymous 4
(P) 2001 harmonia mundi s.a.
Courtesy of harmonia mundi usa

51 Johannes Ciconia: Doctorum Principem/Melodia Suavissima/VIR MITIS
Orlando Consort
(P) 2007 Deutsche Grammophon
Courtesy of Deutsche Grammophon, under license from Universal Music Enterprises

52 Guillaume Du Fay: Nuper rosarum flores/TERRIBILIS EST LOCUS ISTE
Pomerium; Alexander Blachly, director
(P) 2007 Deutsche Grammophon
Courtesy of Deutsche Grammophon, under license from Universal Music Enterprises

53 Anonymous: Sumer is icumen in (“Summer has come”)
The Hilliard Ensemble
(P) 1985 harmonia mundi usa
Courtesy of harmonia mundi usa

54 Anonymous: Thomas gemma Cantuariae/Thomas cesus in Doveria
Theatre of Voices; Paul Hillier, director
(P) 1999 harmonia mundi s.a.
Courtesy of harmonia mundi usa

55 John Dunstable: Quam pulchra es
Lionheart
(P) 1993 Nimbus Records Ltd.
By permission of the owner, Nimbus Records, Wyastone Estate Ltd.

56 Guillaume Du Fay: Ave maris stella
Pomerium
(P) 2003 Deutsche Grammophon
Courtesy of Deutsche Grammophon, under license from Universal Music Enterprises

57 Gilles Binchois: Deuil angoisseux (“Anguished grief”)
Gothic Voices; Christopher Page, conductor
(P) 1986 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

58 Anonymous: Missa Caput, Kyrie
Gothic Voices; Christopher Page, conductor
(P) 1996 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

59 Johannes Ockeghem: Missa Caput, Kyrie
Graindelavoix
Courtesy of Glossa Music, S.L.

Antoine Busnoys: Missa L’homme armé


60 Sanctus
The Binchois Consort; Andrew Kirkman, conductor
(P) 2002 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

61 Agnus Dei
The Binchois Consort; Andrew Kirkman, conductor
(P) 2002 Hyperion Records Ltd.
Courtesy of Hyperion Records Ltd.

62 Loyset Compère: Ave Maria
Orlando Consort
(P) 1993 Metronome Records Ltd.
Courtesy of Metronome Records Ltd.

63 Johannes Ockeghem: Ma bouche rit (“My mouth laughs”)
Ensemble Perceval; Guy Robert, director
(P) 2008 Arion
With Appreciation to Arion, Paris for Permission

64 Johannes Ghiselin: La Alfonsina
The New York Cornet & Sacbut Ensemble; Ben Peck, director
(P) 1988 Outlet Book Company
Courtesy of Pantheon Music International

65 Josquin des Prez: Ave Maria . . . virgo serena
La Chapelle Royale; Philippe Herreweghe, conductor
(P) 1986 harmonia mundi s.a.
Courtesy of harmonia mundi usa

66 Antoine de Févin: Missa super Ave Maria, Kyrie
Quire Cleveland
© Oxford University Press

67 Josquin des Prez: Benedicta es
The Tallis Scholars; Peter Phillips, director
(P) 1981 Gimell Records Ltd.
Courtesy of Gimell Records Ltd.

68  Adrian Willaert: Benedicta es
Quire Cleveland
© Oxford University Press

Giovanni Pierluigi da Palestrina: Missa Papae Marcelli


69 Kyrie
70 Gloria
71 Credo
The Tallis Scholars; Peter Phillips, director
(P) 1980 Gimell Records Ltd.
Courtesy of Gimell Records Ltd.

72 Giovanni Pierluigi da Palestrina: Tui sunt caeli
King’s College Choir, Cambridge; Philip Ledger, conductor
(P) 1978 EMI Records Ltd.
Courtesy of EMI Records Ltd., under license from EMI Music Marketing

William Byrd: Two Settings of the Agnus Dei


73 From The Mass in Four Parts
The Tallis Scholars; Peter Phillips, director
(P) 1985 Gimell Records Ltd.
Courtesy of Gimell Records Ltd.

74 From The Mass in Five Parts
The Tallis Scholars; Peter Phillips, director
(P) 1985 Gimell Records Ltd.
Courtesy of Gimell Records Ltd.

75 Johann Walther: Christ lag in Todesbanden (“Christ lay in the bonds of death”)
Quire Cleveland
© Oxford University Press

76 Giovanni Gabrieli: In ecclesiis
The Taverner Consort; Andrew Parrott, director
(P) 1978 EMI Records Ltd.
Courtesy of EMI Records Ltd., under license from EMI Music Marketing

77 Marco Cara: Mal un muta per effecto (“One can not really change”)
Circa 1500
(P) 1991 Chandos Records Ltd.
Courtesy of Chandos Records Ltd.

78 Claudin de Sermisy: Tant que vivray (“As long as I live”)
Ensemble Clément Janequin
(P) 2000 harmonia mundi s.a.
Courtesy of harmonia mundi usa

Orlando di Lasso: Four Compositions


79 Je l’ayme bien (“I love her”)
Ensemble Clément Janequin
(P) 1992 harmonia mundi usa
Courtesy of harmonia mundi usa

80 Matona mia cara (“My lady, my darling”)
The Hilliard Ensemble
(P) 1992 EMI Records Ltd.
Courtesy of EMI Records Ltd., under license from EMI Music Marketing

81 Audite nova (“Hear the news”)
Orlando di Lasso Ensemble Hannover; Bläser-Collegium Leipzig; La Gamba Freiburg ; Detlef Bratschke, conductor
(P) 1994 Thorofon
Courtesy of Qualiton Imports Ltd.

82 Prophetiae Sibyllarum, Prologue
Hilliard Ensemble
(P) 1998 ECM Records GmbH
Courtesy of ECM Records GmbH


Disc II

1 Jacques Arcadelt: Il bianco e dolce cigno (“The white and sweet swan”)
Consort of Musicke; Anthony Rooley, director
(P) 1991 Sony Music Entertainment

2 Cipriano de Rore: Dalle belle contrade d’oriente (“From the fair regions of the east”)
Consort of Musicke; Anthony Rooley, director
(P) 1993 Musica Oscura
Courtesy of Musica Oscura

3 Luca Marenzio: Solo e pensoso (“Alone and thoughtful”)
La Venexiana; Claudio Cavina, conductor
(P) 1999 Glossa Music, S.L.
Courtesy of Glossa Music, S.L.

4 Claudio Monteverdi: Cruda Amarilli (“Cruel Amaryllis”)
Consort of Musicke; Anthony Rooley, director
(P) 1997 The Decca Record Company Ltd.
Courtesy of Decca Music Group, under license from Universal Music Enterprises

5 Carlo Gesualdo: Moro, lasso (“I shall die, O miserable me”)
Métamorphoses; Maurice Bourbon, director
(P) 1998 Arion
With Appreciation to Arion, Paris for Permission

6 Thomas Weelkes: As Vesta was from Latmos Hill descending
I Fagiolini; Robert Hollingworth, director
(P) 2002 Chandos Records Ltd.
Courtesy of Chandos Records Ltd.

7 Giulio Caccini: Le nuove musiche, &ldquolAmarilli, mia bella” (“Amaryllis, my beautiful one”)
Johannette Zomer (Soprano), Fred Jacobs (Theorbo)
(P) 2004 Channel Classics Records B.V.
Courtesy of Channel Classics Records B.V.

8 Jacopo Peri: Le musiche . . . sopra l’Euridice, Excerpt from Scene 2
Sylva Pozzer, soprano; Luca Dordolo, tenor; Albalonga Ensemble, La Compagnia dei Febi Armonici; Anibal Cetrangolo, conductor
P 1997 Pavane Records
Courtesy of Qualiton Imports Ltd.

Claudio Monteverdi: L’Orfeo favola in musica, Act II


9 “Ecco pur ch’a voi ritorno”
10 “Ahi, caso acerbo”
11 “In un fiorito prato”
12 “Tu se’ morta”
13 “Ahi caso acerbo”
14 “Ma io, ch’in questa lingua”
15 “Chi ne consola, ahi lassi”
16 Ritornello
Vincenzo di Donato; Makoto Sakurada; Emanuela Galli; Ensemble La Venexiana; Claudio Cavina, conductor
(P) 2007 Glossa Music, S.L.
Courtesy of Glossa Music, S.L.

Claudio Monteverdi: L’incoronazione di Poppea (“The Coronation of Poppea”), Excerpts from Acts I and III


17 Act I, Scene 6
18 Act I, Scene 10
19 Act III, Scene 6
20 Act III, Scene 7
21 Act III, Scene 8
Mario Cecchetti; Ensemble La Venexiana; Claudio Cavina, conductor
(P) 2010 Glossa Music, S.L.
Courtesy of Glossa Music, S.L.

22 Girolamo Frescobaldi: Cento partite sopra passacaglia (“A Hundred Variations on Passacagli”)
Roberto Loreggian
(P) 2011 Brilliant Classics
Courtesy of Brilliant Classics

23 Samuel Scheidt: Christ lag in Todesbanden (“Christ lay in the bonds of death”)
Elizabeth Harrison
(P) 2002 Raven Recordings
Courtesy of Raven Recordings

24 Heinrich Schütz: Symphoniae sacrae: I, Op. 6, “O quam tu pulchra es” (“O how beautiful art thou”)
Musica Fiata; Roland Wilson, director
(P) 2010 Sony Music Entertainment

25 Heinrich Schütz: Symphoniae sacrae: III, Op. 12, “Saul, Saul, was verfolgst du mich”  (“Saul, Saul, why do you persecute me?”)
Cantus Cölln
(P) 2005 harmonia mundi s.a.
Courtesy of harmonia mundi usa

26 Giacomo Carissimi: Jephthe, Concluding solo and chorus
Cantus Cölln
(P) 1995 Sony Music Entertainment

Jean-Baptiste Lully: Atys, Overture and Act III


27 Overture
28 Act III, Scenes 1 and 2
29 Act III, Scene 3
30 Act III, Scene 4
31 Act III, Scene 3
32 Act III, “Ecoute, ecoute, Atys”
33 Act III, Scenes 5 and 6
34 Atys, Act III, Scene 7
Les Arts Florissants Orchestra and Chorus; William Christie, conductor
(P) 1987 harmonia mundi s.a.
Courtesy of harmonia mundi usa

35 Jean-Philippe Rameau: Castor et Pollux, Act V, Scene 7, arietta
Les Arts Florissants Orchestra and Chorus; William Christie, conductor
(P) 1993 harmonia mundi s.a.
Courtesy of harmonia mundi usa

Henry Purcell: Dido and Aeneas, Act III


36 “Your conusel all is urged”
37 “Great minds against themselves conspire”
38 “Thy hand, Belind”
39 “With drooping wings”
Lorraine Hunt Lieberson, soprano; Phiharmonia Baroque; Nicholas McGegan, conductor
(P) 1994 harmonia mundi s.a.
Courtesy of harmonia mundi usa

Arcangelo Corelli: Trio Sonata in G minor, Op. 3, No. 11


40 I
41 II
42 III
43 IV
London Baroque
(P) 1991 harmonia mundi s.a.
Courtesy of harmonia mundi usa

Antonio Vivaldi: La primavera (“Spring”)


44 I
45 II
46 III
Tafelmusik; Jeanne Lamon, violin soloist and conductor
(P) 1992 Sony Music Entertainment

Two Chorale Preludes on Durch Adams Fall ist ganz verderbt


47 Dietrich Buxtehude: BuxWV 183
Wolfgang Rubsom
(P) 2003 HNH International Ltd.
Courtesy of Naxos of America, Inc.

48 Johann Sebastian Bach: BWV 637, from Orgel-Büchlein
Murray Forbes-Sommerville
(P) 2004 Sirius Music, Inc.
Courtesy of Sirius Music, Inc.

49 Johann Sebastian Bach: Fugue in G Minor, BWV 578
Anthony Newman
(P) 1985 Sony Music Entertainment

Johann Sebastian Bach: Das wohltemperirte Clavier, Book 1


50 Prelude No. 1 in C
Gustav Leonhardt
(P) 1973  Sony Music Entertainment

51 Fugue No. 24 in B Minor
Gustav Leonhardt
(P) 1973  Sony Music Entertainment

Johann Sebastian Bach: French Suite No. 5 in G Major, BWV 816


52 I: Allemande
53 II: Courante
54 III: Sarabande
55 IV: Gavotte
56 V: Bourée
57 VI: Loure
58 VII: Gigue
Gustav Leonhardt
(P) 1998 Sony Music Entertainment

59 François Couperin: Le rossignol en amour and Rossignol double
Michael Borgstede
(P) 2005 Brilliant Classics
Courtesy of Brilliant Classics

Johann Sebastian Bach: Brandenburg Concerto No. 5 in D


60 I
61 II
62 III
Tafelmusik; Jeanne Lamon, conductor
(P) 1994 Sony Music Entertainment

63 George Frideric Handel: Giulio Cesare in Egitto, Act I, Scene 3, “Empio, dirò, tu sei” (“Evil you are, I say”)
Concerto Koln; Rene Jacobs, director
(P) 1991 harmonia mundi s.a.
Courtesy of harmonia mundi usa

George Frideric Handel: Israel in Egypt, Selections from Part 2


64 No. 3, “They loathed to drink of the river. He turned their waters into blood”
65 No. 4, “Their land brought forth frogs, yea, even in their king’s chambers”
66 No. 5, “He sent a thick darkness over the land, even darkness which might be felt”
67 No. 6, “He gave them hailstones for rain; fire mingled with the hail ran along upon the ground”
68 No. 7, “He sent a thick darkness over the land, even darkness which might be felt”
69 No. 8, “He smote all the first-born of Egypt, the chief of all their strength”
English Baroque Soloists, Monteverdi Choir; John Eliot Gardiner, conductor
(P) 1995 The Decca Record Company Ltd.
Courtesy of Decca Music Group, under license from Universal Music Enterprises

George Frideric Handel: An example of self-borrowing


70 No, di voi non vo’ fidarmi, Movement 1
Anna-Maria Panzarella, Laura Claycomb; Le Concert D'Astree; Emmanuelle Haim, conductor
(P) 2005 EMI Records Ltd
Courtesy of EMI Records Ltd., under license from EMI Music Marketing

71 Messiah, Part 1, “For unto us a Child is born” HWV 56
Musica Sacra; Richard Westenburg, conductor
(P) 1982 Sony Music Entertainment

Johann Sebastian Bach: Christ lag in Todesbanden BWV 4(“Christ lay in the bonds of death”)


72 Sinfonia
73 “Christ lag in Todesanden”
74 “Den Tod niemand Zwingen kunnt”
75 “Jesus Christus, Gottes Sohn”
76 “Den Tod niemand Zwingen kunnt”
77 “Es war ein wunderliche Krieg”
78 “Hier ist das rechte Osterlamm
79 “So feiern wir das hohe fest”
(P) 2007 American Bach Soloists
Courtesy of American Bach Soloists

80 Johann Sebastian Bach: St. Matthew Passion, BWV 244,Opening Chorus
American Bach Soloists; Jeffrey Thomas, conductor
(P) 2000 Koch International Classics
Courtesy of American Bach Soloists

Domenico Scarlatti: Two Keyboard Sonatas


81 Sonata in G, K. 105
Anthony Newman
(P) 1989 Sony Music Entertainment

82 Sonata in F minor, K. 481
Luc Beausejour
(P) 1995 Analekta
Courtesy of Analekta

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